A Quote by Karl Ove Knausgard
The notion of what is public and what is private has been dissolved. My children see documentaries; they see Instagram. Everyone is very open: it has become less taboo to expose lives.
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Ron allowed us to see right away the private piece of a person about to become very public. I suspect we're going to see more of her very private world - Laura's private experience. I'm not sure yet how public she's going to be about the actions she's going to have to take.
We conventionally divide space into private and public realms, and we know these legal distinctions very well because we've become experts at protecting our private property and private space. But we're less attuned to the nuances of the public.
We have never invested as much in public education as we should have because we've always had a private notion of children. Your kid is yours and totally your responsibility. We haven't had a very collective notion of these are our children. So part of it is we have to break through our kind of private idea that kids belong to their parents or kids belong to their families and recognize that kids belong to whole communities.
I've been very reluctant on the Twitter front. But I do Instagram now, so I'm slowly coming around. I'm quite a private person, so much of what I do for my job means that I have to be quite public so I'm just nervous about everything being public. I might turn around. Three years ago, I was against all social media but I actually really enjoy Instagram now. Who knows? I never say never!
My Instagram has personal things, like pictures of my home, but generally it's my voice, and that's a public thing. Using my Instagram posts in my art is not about taking my personal Instagram and making it public; it's about understanding and challenging the notion of these free platforms that encourage self-promotion and understanding what they are technically and culturally.
As a family, we are all very close, so we all know what we all are doing. Other than that, we don't see why we should be talking about our private lives and keep it an open book.
We have a very open culture at the company, where we foster a lot of interaction between not just me and people but between everyone else. It's an open floor plan. People have these desks where no one really has an office. I mean, I have a room where I meet with people. But it has all glass, so everyone can see into it and see what's going on.
Critics can say what they like about the films, but very often, there's a certain expectation of documentaries that they're supposed to be like PowerPoint presentations. I see documentaries as movies. So when I see some critics writing that we could have done without the recreations altogether - well, perhaps.
For decades, the journalistic norm had been that the private lives of public officials remained private unless that life impinged on public performance.
The notion of people commenting on you, the notion of people saying things about you, people liking or disliking you and getting into your business, has become more of a reality for the general public over the last years, as people have dipped further into Facebook, Twitter, Instagram and social media.
Once you expose your private life, if you give one little bit, the floodgates are open and everyone's got a free range for you.
When you can't see you become very timid about space and moving. You become less aggressive and less tenacious. Lots of things that shouldn't be affected by vision really are. And you don't even know what they are until they become unstuck.
In the end, it is because the media are driven by the power and wealth of private individuals that they turn private lives into public spectacles. If every private life is now potentially public property, it is because private property has undermined public responsibility.
I don't see life divided into public and private, secular and sacred. It's all an open place of service before our God.
If you go on my Instagram, you're not going to see the same content you'll see on my YouTube. Instagram has become the new magazine. It's much more editorial and about perfect moments that are captured. Snapchats are funny, real moments that you want to share. On YouTube, it's more structured, more storytelling.
The men who administer public affairs must first of all see that everyone holds onto what is his, and that private men are never deprived of their goods by public men.
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