A Quote by Karl Pearson

It is the old experience that a rude instrument in the hand of a master craftsman will achieve more than the finest tool wielded by the uninspired journeyman. — © Karl Pearson
It is the old experience that a rude instrument in the hand of a master craftsman will achieve more than the finest tool wielded by the uninspired journeyman.
The sense that a man is serving a Higher than himself, with a service which will become ever more and more perfect freedom, evokes more profound, more humbling, more exalted emotions than any thing else in the world can do. The spirit of man is an instrument which cannot give out its deepest, finest tones, except under the immediate hand of the Divine Harmonist.
Capra is an old-time movie craftsman, the master of every trick in the bag, and in many ways he is more at home with the medium than any other Hollywood director. But all of his details give the impression of contrived effect.
For we have built into all of us, old blueprints of expectation and response, old structures of oppression and these must be altered at the same time that we alter the living condition which are the result of those structures. For the master's tool will never dismantle the master's house.
Gordon Nelson is not only my friend, he's my mentor. He is a master craftsman with unique experience, and an approach to creativity that we can all learn from. For any hairdresser looking for enlightenment, look no further than a man who worked at the original Vidal Sassoon Salon, and who continues to strive for innovation in the industry.
Culture is an instrument wielded by teachers to manufacture teachers, who, in their turn, will manufacture still more teachers.
If you realize that all things change, there is nothing you will try to hold on to. If you aren't afraid of dying, there is nothing you can't achieve. Trying to control the future is like trying to take the master carpenter's place. When you handle the master carpenter's tools, chances are that you'll cut your hand.
There's an old saying in the days of slavery, there are those slaves who lived on the plantation, and there were those slaves who lived in the house. You got the privilege of living in the house if you served the master to exactly the way the master intended to have you serve him. That gave you privilege. Colin Powell is permitted to come into the house of the master, as long as he will serve the master according to the master's dictates. Now, when Colin Powell dares to suggest something other than what the master wants to hear, he will be turned back out to pasture.
What can be more soul shaking than peering through a 100-inch telescope at a distant galaxy, holding a 100-million-year-old fossil or a 500,000-year-old stone tool in one's hand, standing before the immense chasm of space and time that is the Grand Canyon, or listening to a scientist who gazed upon the face of the universe's creation and did not blink?
The death of Walt Disney is a loss to all the people of the world. In everything he did, Walt had an intuitive way of reaching out and touching the hearts and mind of young and old alike. His entertainment was an international language. For more than 40 years, people have looked to Walt Disney for the finest quality in family entertainment. There is no way to replace Walt Disney. He was an extraordinary man. Perhaps there will never be another like him… The world will always be a better place because Walt Disney was its master showman.
Prayer is an invisible tool which is wielded in a visible world.
The market is a tool, and a useful one. But the worship of this tool is a hollow faith. Far more important than any tool is what you make with it.
I think a master craftsman is someone who is unpretentious. He has a physical object in front of him and, while he works with a higher aim, he doesn't let his personality get in the way of his art. It's simply about the task at hand and to make it as functional and necessary to the world as he can.
We're in a post-conceptual era where it's really the artist's idea and vision that are prized rather than the ability to master the crafts that support the work. Today, our understanding of an artist is closer to a philosopher than to a craftsman.
Truly color is vice! Of course, it can be, and has the right to be one of the finest virtues. Controlled by the strong hand and careful guidance of her Master drawing, color is a splendid Mistress, with a mate worthy of herself, her lover, but her Master likewise, the most magnificent Mistress possible, and the result is evident in all the glorious things that spring from their union.
Technology remains a tool: you can have the best tool in the world, but if you have nothing to say, it will remain an empty experience.
I made an instrument which I'm really happy about, because I always wanted to have a machine that did this so once I established it as my unique tool, it was like, now I'm going to master it like a guitar.
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