A Quote by Karl Philipp Moritz
My host at Richmond, yesterday morning, could not sufficiently express his surprise that I intended to venture to walk as far as Oxford, and still farther. He however was so kind as to send his son, a clever little boy, to show me the road leading to Windsor.
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Suppose several boys are moving along a particular road and one boy falls into a drain, his dress and his body, become dirty. Other people, passers-by, will laugh at him, but when the boy's father sees his boy in that condition, what is he to do? Will he laugh at his own son? No! What will he do?
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
The Little Mute Boy The little boy was looking for his voice. (The king of the crickets had it.) In a drop of water the little boy was looking for his voice. I do not want it for speaking with; I will make a ring of it so that he may wear my silence on his little finger In a drop of water the little boy was looking for his voice. (The captive voice, far away, put on a cricket's clothes.) Translated by William S. Merwin
He who fears to venture as far as his heart urges and his reason permits, is a coward; he who ventures further than he intended to go, is a slave.
The greatest thing I could say about my son, and this is what you always worry about with your kids, that they kinda outgrow their Mom and Dad. But for him, when I see him, when he calls me Dad, and he can still hug me, he's still like my little boy. Even around his friends, he still calls me Dad.
His mouth captured hers, trying to show her with his kiss what he was still learning to express in words. He loved her. He worshipped her. He'd walk across fire for her. He— —still had the audience of her three brothers. Slowly breaking the kiss, he turned his face to the side. Anthony, Benedict, and Colin were still standing in the foyer. Anthony was studying the ceiling, Benedict was pretending to inspect his fingernails, and Colin was staring quite shamelessly.
A traveling show visited a country town and one of the acts was advertised as a striptease. A small boy begged his mother for a quarter to buy a ticket, but the mother refused, telling her son that if he went to that show he would see something awful. Well, the boy sneaked in the show and the first thing he saw was something awful - his own dad sitting on the front row.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
You are the real teachers. You have these children when they are at their emotional peaks and lows. That's when they are the most pliable. It doesn't take any intelligence to send a kid home with his head hanging between his knees. But to send him home with his head up every night might show a little coaching.
I stood on my toes and stole a soft kiss from his lips. "Surprise attack," I said. Sam leaned down and kissed me back, his mouth lingering on mine, teeth grazing my lower lip, making me shiver. "Surprise attack back." "Sneaky," I said, my voice breathier than I intended.
The incurable optimism of the farmer who throws his seed on the ground every spring, betting it and his time against the elements, seemed inextricably to blend with the creed of her pioneer forefathers that "it is better farther on"-- only instead of farther on in space, it was farther on in time, over the horizon of the years ahead instead of the far horizon of the west.
I call that god the Little G. Because the god that we've been worshipping is not to me the Supreme Creator. Anybody who needs to control and make people feel ashamed. . .It's like, 'I send my only begotten son. . .' Well you know, that concept of sending a son where we as women could, like, breastfeed him and give him milk, but he's not gonna soil his dinky with us? What's that all about?
He himself will go into the drain and take his boy in his own lap. He will clean his dress, clean his clothes, clean his body; and afterward he will say, "My boy, you should walk carefully."
My son Barry, of course, has been on from the beginning. And his son Shane is playing now a med student regularly on the show. And at one point or another, I've had all four of his kids on the show.
My son is 14, and I only have this time with him. True, it's not like before when I couldn't explain to a little boy why I can't read him his bedtime story six nights a week. And he's even said to me, 'Mom, if you want to do a show somewhere, you should go.'
Many years ago, our father Ibrahim (AS) made a choice. He loved his son. But He loved God more. The commandment came to sacrifice his son. But it wasn't his son that was slaughtered. It was his attachment to anything that could compete with his love for God. So let us ask ourselves in these beautiful days of sacrifice, which attachments do we need to slaughter?
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