A Quote by Karl Pilkington

The great pyramid is overrated. It's a bad design. The lounge is going to be huge, but the bedroom is going to be tiny. — © Karl Pilkington
The great pyramid is overrated. It's a bad design. The lounge is going to be huge, but the bedroom is going to be tiny.
The top of the Great Pyramid [.....] there's no capstone on the pyramid. Till the year 2000 celebrations when George Bush [Snr.] and some of these guys put a phony one up there. See, they think they are going to have a new world order, and they probably are.
You know, as a young child, I lay in my bedroom and I swore to myself then: 'I'm not going to smoke and I'm not going to drink.' And I said I'm not going to just say that when I'm a kid. I'm going to stick to that as an adult. I kept that in mind my whole life.
We had this realisation that we'd sort of travelled from my bedroom to America and all these people are watching us and that was awesome. 11 shows in 5 days I mean if we weren't going out, we were on stage, it was huge.
I never thought I'd be in a position like I was at Aston Villa where people weren't going to get paid on a Friday. That's how bad it was. It looks great from the outside but we had huge financial problems for months.
I ended up going to do a matches program at the state for industrial design. And from there, I got hired at IDEO to joint their design team there - and basically, you are starting as an industrial designer to design products - and then kept asking the question, 'What else can design accomplish? What else can design do?'
You never judge a person if they're going through their downs because you always stick with them when they're going through their ups. If you stay in football business long enough, you're going to have some bad games and you're going to have some bad seasons.
We're going to design future cars the way people design airplanes. Except we have to use so much technology and ingenuity to reduce its cost and its form factor. We can't afford to have a jet plane. That would be great if could.
At the pinnacle of great design are products so gorgeous and lust-worthy that you want to lick them: a Porsche 911, Samsung's Luxia TV, an Eames lounge chair or anything by Loro Piana.
The actor has the advantage - or the liability - of knowing, "It's going to be my face up there on the frickin' screen, so I better keep my wits about me. Nobody's going to care that I was bad because I was not happy. They're only going to know I'm bad."
The public is more familiar with bad design than good design. It is, in effect, conditioned to prefer bad design, because that is what it lives with. The new becomes threatening, the old reassuring.
It is a very interesting world. I'm excited. It is much more optimistic than people think, and there is going to be huge job creation from all these things, and there are going to be huge life improvements.
With Jerry Bruckheimer, you know you'll get your money's worth. You're getting huge action sequences, it's going to be funny, and you know it's going to look great.
I have a second bedroom I don't use. I'm going to start the Second Bedroom Film Festival. You're all invited.
Well I think a lot of times we're putting things off and I'm going to do it later. I'm going to break this bad habit or I'm going to pursue this dream or I'm going to treat my spouse better.
It's the fashion, I tell you: big, tall women going out with tiny, tiny men.
All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.
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