A Quote by Karl Pilkington

I thought the fart was a human thing. It's something to do with like, arse cheeks, or whatever. — © Karl Pilkington
I thought the fart was a human thing. It's something to do with like, arse cheeks, or whatever.
Let every fart count as a peal of thunder for liberty. Let every fart remind the nation of how much it has let pass out of its control. It is a small gesture, but one that can be very effective - especially in a large crowd. So fart, and if you must, fart often. But always fart without apology. Fart for freedom, fart for liberty - and fart proudly.
A fart is just your arse applauding.
As for Gordon Brown - I've described him and Blair as two cheeks of the same arse.
I always thought if you really want to be a good actor, you've got to be able to fart in public. That, to me, is the most important. If you are so inhibited that you can't fart, I don't mean around your friends, I mean just a fart, out loud somewhere. I don't mean the 'silent creeper', everybody does that. I mean fart out loud! Just that you can do it and not be afraid of it. Humility is very important.
'Stans' can not see anything wrong with their favorite artist. They love everything they do. If the artist fart, they're like, 'OMG, that was the best-sounding fart I ever heard in my life. She farted on beat,' whatever. I'm an 'objective fan,' so I can give my opinion about things.
Some of them relate to farts but they are not fart jokes. They would just be a fart in the joke but it's about something else.
Home is where the heart is, home is where the fart is. Come let us fart in the home. There is no art in a fart. Still a fart may not be artless. Let us fart and artless fart in the home.
Fart for freedom, fart for liberty—and fart proudly.
Spending so much time on the road, I get to fart all the time. Then when it's, like, Thanksgiving dinner and I'm sitting with my grandmother, I can't fart for, like, two hours.
Whatever you do, whatever you come up with, whatever you decide on, you can go with it, and if the director or the execs, they like it, then you'll stick with it. That's a good thing, as opposed to having something that's already written.
Doing action, the thing is it's cool to watch it, and as a guy I like seeing it. With the romance thing it's something everyone can relate to. Once you have love as a motivator in a story, I think everyone can do anything. Once someone's in love they can do the craziest thing that no one's ever thought of. You have that excuse to do whatever you want.
Sartre is one example of someone who does just this. Every text is, after all, a human document and whatever Kierkegaard thought about God was clearly a matter of human thought that can, in principle, be retrieved and interpreted by other human beings. A phenomenological approach to religion must, it seems to me, adopt the old adage: nothing human is alien to me.
There was something about the music on that tape. It felt different. Like, it set her lungs and her stomach on edge. There was something exciting about it, and something nervous. It made Eleanor feel like everything, like the world, wasn't what she'd thought it was. And that was a good thing. That was the greatest thing.
Did you hear something, Nora?” Vee asked. “I thought I heard something.” “You definitely heard something,” I agreed. “Could that be … a dog fart I heard?” Vee asked me.
I could be a bit of a pain in the arse. Since I've come out of my cancer, I must say I intend to be even more of a pain in the arse.
If I see something in somebody, if it's something similar in my shot, I feel like it's the same type of thing in life. People who tell you what to do all the time or have all the answers for you, it's like, 'OK, whatever.' But if you've gone through something in life, you can speak to something a little more.
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