A Quote by Karl Pilkington
I think it's clever how Rome have kept a load of old stuff. There's no overheads, yet people are going over there to see it.
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I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.
Many clever men like you have trusted to civilization. Many clever Babylonians, many clever Egyptians, many clever men at the end of Rome. Can you tell me, in a world that is flagrant with the failures of civilisation, what there is particularly immortal about yours?
The point of doing TV is not to prove how clever you are, but to make other people realise how clever they are; and I think it's the same with books.
When you take over a company like GE, you think you're going to visit 100 businesses. You're going to go see the factories you haven't seen before. You're going to see a site in Texas and one in Canada and stuff like that. That has fallen by the wayside.
The stuff that's going on is just so over-the-top, with the banking crisis and destroying the Gulf of Mexico, and the outrage hasn't quite caught up with the people yet. But when it does, I think you're going to see really virulent anti-authoritarian kind of comedy coming out.
When you create stuff, you're always going to be progressing and where you're at a year down the line, as the creator, it's always going to feel immature. You're going to notice the flaws and the things that you've learned in that year aren't going to be there. So, I think it's important to see stuff as a capture of time - that's what I was doing at that time - and not be ashamed of it. That's how I try to approach music.
People often say to me - how clever you are! How brilliant to be able to go from ballet to theatre as you do. I answer that it is not clever at all. It is the gift of looking at oneself coolly, of calculating the future objectively. I could see the danger signals as far as ballet was concerned before anyone else did, that's all.
You have to be very careful how you insert new stuff, 'cause people want to hear the old stuff. It's like cooking, you know? You can't put too many peppers into the eggs... otherwise it's going to be distasteful.
I've made a career making stuff that nobody sees, so anything that I can do to help make something that people are going to enjoy and want to see over and over again, then I'm there.
It's not about the stuff. The issue is how we use that stuff and how do we train people to use that stuff. Do we use that stuff to confront people who are protesting in a community? Do we use a sniper rifle to see closer in a crowd? That's where it breaks down.
There's so much stuff going on behind the cameras. Sometimes people think these things are done certain ways and when you watch that you see how hard and down and dirty it was.
Many of you wished me dead. Many of you perhaps still do. But I
hold no grudges and
seek no revenge. I
demand only this...that
you join with me in
building a new Rome, a
Rome that offers
justice, peace and land to all its citizens, not just the privileged few. Support me in this task, and old divisions will be forgotten. Oppose me,
and Rome will not
forgive you a second
time. Senators, the war is over.
My friends make me laugh: funny Instagram videos, but mostly people falling over. It's so bad, but it never gets old. I just love how people cover up their falls. The whole experience of 'Oh, I just fell, and I'm going to run out of the fall and pretend I did this on purpose.' I just like to see how people cover up their mishaps.
I find the English amazing how they got over 7/7. There were no multiple memorials with people sobbing as they would have been in America. There, they are constantly scaring people, but at the same time, people think nothing of going to see a therapist.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I'm going to do a lot of weird stuff that's not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it's time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
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