A Quote by Karl Rove

Cindy Sheehan is a clown. There is no real antiwar movement. No serious politician, with anything to do with anything, would show his face at an antiwar rally. — © Karl Rove
Cindy Sheehan is a clown. There is no real antiwar movement. No serious politician, with anything to do with anything, would show his face at an antiwar rally.
The truth is that the antiwar movement was powered by the working class. The students were the ones that got the media and so forth, but it was the soldiers on the ground who really energized the antiwar movement in the late Sixties.
Well, we think the broadcasts did have some effect, because we see the antiwar movement in the U.S. building up, growing and so we think that our broadcast is a support to this antiwar movement.
In college, I got interested in news because the world was coming apart. The civil rights movement, the antiwar movement, the women's right movement. That focused my radio ambitions toward news.
My parents met when they were 16 and bonded over the antiwar movement.
In the '60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women's rights movement, the antiwar movement. It wasn't just Bob Dylan, it was everybody at the time.
In the ’60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women’s rights movement, the antiwar movement. It wasn’t just Bob Dylan, it was everybody at the time.
I can't say I'm surprised: the grassroots antiwar movement keeps turning out to be MoveOn/A.N.S.W.E.R. astroturf.
In fact, I was in a lab that was a hundred percent funded by the Pentagon, and it was one of the centers of the organized antiwar resistance movement.
The uproar of the late '60s - the antiwar movement, black riots, angry women. It was a wonderful time.
Seeing Anonymous primarily as a cybersecurity threat is like analyzing the breadth of the antiwar movement and 1960s counterculture by focusing only on the Weathermen.
The responsibility for the risks we posed to others in some of our most extreme actions in those underground years never leaves my thoughts for long. The antiwar movement in all its commitment, all its sacrifice and determination, could not stop the violence unleashed against Vietnam. And therein lies cause for real regret.
Mother’s Day really was in its origin an antiwar day, an antiwar statement. Julia Ward Howe was sickened by what had happened during the Civil War, the loss of life, the carnage, and she created Mother’s Day as a call for women all over the world to come together and create ways of protesting war, of making a kind of alternate government that could finally do away with war as an acceptable way of solving conflict.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
The conflict is not between the people and the antiwar movement, but between the people and the government.
Any soldier worth his salt should be antiwar. And still there are things worth fighting for.
We have one of our priests in prison right now for his antiwar actions, and three of us in the community are forbidden to visit him because we're all convicted felons.
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