A Quote by Karl Shapiro
A man's house is his stage. Others walk on to play their bit parts. Now and again a soliloquy, a birth, an adultery.
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A Muslim woman was found in adultery or fornication and we know that there could be no pregnancy without the agency of a man, unless we are dealing with the virgin birth. Yet no man is charged with this crime. Where is the man in this case of adultery or fornication? Why isn't he being stoned? There is science today that can prove whether the man she claims is the father of her unborn child is actually so. So, if the law was fair, then, it would be carried out on both.
I take the stage as a man in his fifties and walk off the stage like a man in his twenties.
When you're on-stage, you're expected to perform in the bar business. You shake hands. You smile. You're all positive energy: you add to your environment. When you walk in the door to the back of the house, that's like a stage door. You're off-stage now.
Through countless births in the cycle of existence
I have run, not finding
although seeking the builder of this house;
and again and again I faced the suffering of new birth.
Oh housebuilder! Now you are seen.
You shall not build a house again for me.
All your beams are broken,
the ridgepole is shattered.
The mind has become freed from conditioning:
the end of craving has been reached.
Seeking but not finding the house builder I travelled through life after life. How painful is repeated birth! House-builders, you have now been seen. You will not build the house again.
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
Our only competition in the theater is boredom, because if I'm bored with a play, if I'm revolted by a play on stage, with the Broadway prices, especially today, I'm going to walk out and not come back and pay that price again.
[In China at that time:] The penalty for adultery is death by strangulation. Mai-da's mother has added the following note to this section; 'Adultery is a feminine vice. Copulation on the man's part is not his wife's concern, unless he sires a child. Then she must accept the child as one of his homestead.
I've always wanted to do a Shakespearean soliloquy, or a fake Shakespearean soliloquy, and now I'm doing that more often in shows. Things I've always wanted to do starting to happen.
All I have to do is be me on stage. But acting, I have to be someone else, and walk how they would walk and blink how they would blink. I used to talk about it bad like, 'Aw man, that person made $10 million a movie?' But now I understand why they do. I get it now.
All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.
It is not the man who is beside himself, but he who is cool and collected,--who is master of his countenance, of his voice, of his actions, of his gestures, of every part of his play,--who can work upon others at his pleasure.
If certain women walk straight into adultery, there are many others who cling to numerous hopes, and commit sin only after wandering through a maze of sorrows.
I knew a guy who had $5 million and owned his house free and clear. But he wanted to make a bit more money to support his spending, so at the peak of the internet bubble he was selling puts on internet stocks. He lost all of his money and his house and now works in a restaurant. It's not a smart thing for the country to legalize gambling [in the stock market] and make it very accessible.
I will have a playlist ready that I'll play out to the audience before I walk on stage, and I'll listen to that same playlist in the room, so by the time I walk on stage, I'm in the same frame of mind the audience is.
The whole life of Christ was a continual Passion; others die martyrs but Christ was born a martyr. He found a Golgotha even in Bethlehem, where he was born; for to his tenderness then the straws were almost as sharp as the thorns after, and the manger as uneasy at first as his cross at last. His birth and his death were but one continual act, and his Christmas day and his Good Friday are but the evening and morning of one and the same day. And as even his birth is his death, so every action and passage that manifests Christ to us is his birth, for Epiphany is manifestation.
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