A lot of the ancient Norse myths and legends are the basis of a lot of the sci-fi, fantasy films out there. Telling these stories in a contemporary medium, it's all good.
Growing up, I didn't really read a lot of comics; we didn't really have the money to get them. But I grew up a universal fan of fantasy and sci-fi and watching a lot of TV. There's always this question of 'Are you a fan of sci-fi or fantasy?' But can't you be a fan of both? We love everything fantasy, my wife and I.
It was Sci-Fi and fantasy that got me reading, and Sci-Fi writers in particular have pack rat minds. They introduce all sorts of interesting themes and ideas into their books, and so for me it was a short leap to go from the fantasy and Sci-Fi genres to folklore, mythology, ancient history and philosophy. I did not read philosophy because I set out to become a philosopher; I read it because it looked interesting.
I've always liked sci-fi/fantasy films. I've never really followed any sci-fi television shows though. I wouldn't consider myself a fan. When asked, I think I say the Matrix is my favorite movie.
I have done a lot of sci-fi, not out of choice, necessarily. It's just that I'm Canadian, and it's more cost-efficient to film sci-fi up here.
It's ironic: In movies, the most successful films of all time have been sci-fi or fantasy. By far. But a lot of people won't even read science fiction books.
I'm a huge sci-fi/fantasy/horror guy. I love anything in the sci-fi or fantasy genre.
I'm not from a particularly sci-fi background. I'm not anti sci-fi at all, but I've never been known as a sci-fi writer and, suddenly, I was creating a flagship BBC sci-fi show, which is terrifying sometimes.
I do like sci-fi. When I was a kid, I was always sort of locked into sci-fi stories. So, sci-fi has always had a special place in my heart.
I read mostly historical fiction - lots of stuff set in ancient Rome and ancient Greece. I also liked sci-fi and fantasy: David Gemmell, Raymond E. Feist. It's a nice escape from the world. As much as I do love real-life stories, they can often make you hurt in a way I'd rather not hurt.
As we were developing 'Umbral', and I was delving into the mythology and legends, I had a sudden realisation. 'Wasteland' is about people who fervently believe new myths and legends, but they turn out to be false; whereas 'Umbral' is about people who reject ancient myths and legends, but they turn out to be true!
I grew up reading a lot of fantasy/sci-fi.
I like very human stories that venture into sci-fi or the supernatural or areas that I think occupy a lot of space in our collective memory for the films that we loved as children.
I feel like we've found an interesting little corner of the sandbox here as far as the way we're telling sci-fi stories. I don't think it's limited to sci-fi - I think anything fantastic can co-exist with people you and I know, and not these hyper-real movie people.
There's a lot of dark horror, and a lot of sci-fi fantasy that's great, but what gets hyped a lot the big stuff. The most expensive stuff gets hyped a lot, and I love it, don't get me wrong, but there's things that fall through the cracks.
I'm a sci-fi fan, but a lot of the sci-fi you're getting is the same. It's very stereotypical.
I don't think I'm the world's most die-hard sci-fi fan, but I definitely grew up watching 'Star Trek' religiously - all of them: the original, 'Next Generation,' 'Deep Space Nine,' 'Voyager.' I think sci-fi has an important place in the cinema world. Fantasy is a big part of why films actually exist.