A Quote by Karl Wilhelm Friedrich Schlegel
All artists are self-sacrificing human beings, and to become an artist is nothing but to devote oneself to the subterranean gods.
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To be rich is to give; to give nothing is to be poor; to live is to love; to love nothing is to be dead; to be happy is to devote oneself; to exist only for oneself is to damn oneself, and to exile oneself to hell.
The gods have fled, I know. My sense is the gods have always been essentially absent. I do not believe human beings have played games or sports from the beginning merely to summon or to please or to appease the gods. If anthropologists and historians believe that, it is because they believe whatever they have been able to recover about what humankind told the gods humankind was doing. I believe we have played games, and watched games, to imitate the gods, to become godlike in our worship of eachother and, through those moments of transmutation, to know for an instant what the gods know.
I am of the opinion that there are artists and non-artists. I think that this is the way it always was and always will be. I do not believe that we are in the center of the world. It is possible that there are gods who do not relate to human. As an artist, I believe that it is possible to depict these forces.
It is only when human beings see themselves simply as human beings, no longer as gods, that they are in a position to perceive the wholly other nature of God.
People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings who behave differently than ordinary human beings. If they weren't as sensitive as they are, they wouldn't be great artists. They are not the same as us. People should just learn to accept that.
The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.
The object of all religious activity is to mingle the human and the non-human, and the lower gods represent that which is cast back to the human from the non-human - human gods merely, practice-gods who embody the errors which man makes in first conceiving the non-human.
Something 'Drag Race' is really good at is portraying us as artists but also human beings. And normal human beings don't know everything. They don't have all the answers.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
Traditional Christians cannot conceive of God as Mormons do: a God who has a wife, who invites other human beings to become gods with him.
To regard human beings as tools - as instruments - for the use of other human beings is not only unscientific but it is repugnant, stupid and short sighted. Tools are made by man but have not the autonomy of their maker - they have not man's time-binding capacity for initiation, for self-direction, and self-improvement.
Atheism is a way of humility. It's to think oneself to be an animal, as we are actually and to allow oneself to become human.
It is blasphemy to separate oneself from the earth and look down on it like a god. It is more than blasphemy; it is dangerous. We can never be gods, after all - but we can become something less than human with frightening ease.
Human beings do not perceive things whole; we are not gods but wounded creatures, cracked lenses, capably only of fractured perceptions. Partial beings, in all the senses of that phrase.
We may give our human loves the unconditional allegiance which we owe only to God. They they become gods: then they become demons. Then they will destroy us, and also destroy themselves. For natural loves that are allowed to become gods do not remain loves. They are still called so, but can become in fact complicated forms of hatred.
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