A Quote by Karl Wilhelm Friedrich Schlegel
As long as the artist invents and is inspired, he remains in a constrained state of mind, at least for the purpose of communication. He then wants to say everything, which is the wrong tendency of young geniuses or the right prejudice of old bunglers. Thus, he fails to recognize the value and dignity of self-restraint, which is indeed for both the artist and the man the first and the last, the most necessary and the highest goal.
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There is no magic. Harry Potter was probably the last one. There are no Harry Potters in politics. There are people who should be hard working, admit their mistakes - and we made a lot of mistakes - make an honest self-critic but change what we did wrong. What did we do wrong? We built a state which is big, which is corrupted, which is a state which should radically change. What is Mr Tsipras saying - keep it as it is, so everything that is old belongs to him.
I think there should be a reworking of the value structure of art. The value is when the artist makes a first engagement with society. That work has the most value. That is the function of the artist. That result.
The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
Thus we cannot escape the fact that the world we know is constructed in order to see itself. This is indeed amazing. Not so much in view of what it sees, although this may appear fantastic enough, but in respect of the fact that it can see at all. But in order to do so, evidently it must first cut itself up into a least one state which sees, and at least one other state which is seen.
I was an artist, but not a self-proclaimed great artist, just a common man who was working in a form of art which is universal.
When we accept any discipline for ourselves, we try to avoid everything except that which is necessary for our purpose; it is this purposefulness, which belongs to the adult mind, that we force upon school children. We say, "Never keep your mind aler.
Self-respect is the noblest garment with which a man can clothe himself, the most elevating feeling with which the mind can be inspired.
An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.
A self-made man, if he is made at all, has already won the battle of life. . . . he has learned to resist. He has learned the value of money, and how to refuse to spend it. He has learned the value of time, and how the conversion of it into useful things will make of his life something worthwhile. He has learned to say no, to say no at the right time and then to stand by it. Without resistance, and the self-denial which it often imposes, there is no real happiness. In the quest for happiness man must learn that temptation resisted strengthens the mind and the soul.
Well, to me, the tensile strength and the very definition of an artist is something that I would place at the top of a vertical hierarchy. To be an artist is to suffer and to lead a life without shelter. It takes a great amount of daring-do, self reinvention, imagination, familial loyalty, sacrifice, economic uncertainty, and the right to be wrong, the right to fail in order to achieve something of noticeable value.
And since the mind is of a man one part,
Which in one fixed place remains, like ears,
And eyes, and every sense which pilots life;
And just as hand, or eye, or nose, apart,
Severed from us, can neither feel nor be,
But in the least of time is left to rot,
Thus mind alone can never be, without
The body and the man himself, which seems,
As 'twere the vessel of the same- or aught
Whate'er thou'lt feign as yet more closely joined:
Since body cleaves to mind by surest bonds.
Years may wrinkle the skin, but to give up interest wrinkles the soul. You are as young as your faith, as old as your doubt; as young as your self-confidence, as old as your fear; as young as your hope as old as your despair. In the central place of every heart there is a recording chamber. So long as it receives messages of beauty, hope, cheer and courage, so long are you young. When your heart is covered with the snows of pessimism and the ice of cynicism, then, and then only, are you grown old. And then, indeed as the ballad says, you just fade away
I always say this to the young chefs and mean it: The customer is excited, he says you are an artist, but we are not, just craftspeople with a little talent. If the chef is an artist, he doesn’t succeed. Why? Because he is inspired today but not tomorrow. We cannot do that.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
If man has been kicked up out of that which is only impersonal by chance , then those things that make him man-hope of purpose and significance, love, motions of morality and rationality, beauty and verbal communication-are ultimately unfulfillable and thus meaningless.
Both strength of mind and body are necessary, strengths which in the last few months have deteriorated in me to the extent that I have had to recognize my incapacity to adequately fulfill the ministry entrusted to me.
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