A Quote by Karl Wilhelm Friedrich Schlegel
Wit as an instrument of revenge is as infamous as art is as a means of sensual titillation.
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In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
By wit we search divine aspect above,
By wit we learn what secrets science yields,
By wit we speak, by wit the mind is rul'd,
By wit we govern all our actions;
Wit is the loadstar of each human thought,
Wit is the tool by which all things are wrought.
Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility . . . . Artists have had to become self-conscious aestheticians: continually challenging their means, their materials and methods.
There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
Simply coming to the perpetrator and delivering the message is Nozick's definition of revenge. And in that sense, Adi is exacting revenge. When people ask, "Does Adi want revenge?" - they mean violent revenge. But in Nozick's formulation, it is revenge. That is the essence of revenge.
Riches are but a means, or instrument; and the virtue of an instrument lies in its use.
I'd like to explode a few myths about what we call classical music. It's not high art for the titillation of a chosen few.
Rich apparel has strange virtues; it makes him that hath it without means esteemed for an excellent wit; he that enjoys it with means puts the world in remembrance of his means.
Art is a language, an instrument of knowledge, an instrument of communication.
I joined the army to avenge the deaths of my family and to survive, but I've come to learn that if I am going to take revenge, in that process I will kill another person whose family will want revenge; then revenge and revenge and revenge will never come to an end.
Humour is the describing the ludicrous as it is in itself; wit is the exposing it, by comparing or contrasting it with something else. Humour is, as it were, the growth of nature and accident; wit is the product of art and fancy.
When I went to school, you had to take art, you had to play an instrument. You had to play an instrument. But it's all degraded since then. I do not know what kind of nation we are that is cutting art, music, and gym out of the public-school curriculum.
Prayer is a fine, delicate instrument. To use it right is a great art, a holy art. There is perhaps no greater art than the art of prayer. Yet the least gifted, the uneducated and the poor can cultivate the holy art of prayer.
Every nation should wrestle with the question of what it means to defend itself, what it means to take revenge.
The art of conversation consists far less in displaying much wit oneself than in helping others to be witty: the man who leaves your company pleased with himself and his own wit is very well pleased with you.
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