A Quote by Karla Crome

I don't think comedic parts come naturally to me. — © Karla Crome
I don't think comedic parts come naturally to me.
If you look at 'The Best Man,' there's a lot of humor in that, but I never consider that movie a comedy. I felt that it was a drama with comedic elements and comedic parts to it.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
Showy displays of love don't come naturally to everyone. They don't come naturally to me. They also come with a risk: a risk of rejection, being made to feel silly, or making yourself into a spectacle.
I sort of consider myself a comedic actress, not a comedienne. I think it's different. You know, I'm not a stand-up or anything, but playing into comedic situations is sort of where, I think, my strength lies.
She was an absolute genius as a comedic actress, with an extraordinary sense for comedic dialogue. It was a God-given gift. Believe me, in the last fifteen years there were ten projects that came to me, and I'd start working on them and I'd think, 'It's not going to work, it needs Marilyn Monroe.' Nobody else is in that orbit; everyone else is earthbound by comparison.
You wrote me a beautiful letter, I wonder if you meant it to be as beautiful as it was. I think you did; for somehow I know that your feeling for me, however slight it is, is of the nature of love... When you tell me to come, I will come, by the next train, just as I am. This is not meekness, be assured; I do not come naturally by meekness; know that it is a proud surrender to You.
Once people start to think they've wasted parts of their life, or they're wasting their life as they speak, that means there's going to be great dramatic and comedic tension.
I remember going to him (Richard England) and saying, “You know, how come you don't give me any parts?” I did Raymonda and a couple of other nice parts, but mostly he was giving a lot of parts to the other girls. He said, “Those girls are short and they're not going to get into ABT, but I think you are going to get into ABT. I think you're going dance later, so I'm not worried about you.”
I still think acting is something that you're born with and I think the greatest actors today, they don't need training, it comes naturally to them. It's like being a naturally good singer... I don't think that's me at all.
I think that when I was in my 20s, I wanted to go after dramatic roles, and I didn't have a tremendous amount of success with that. I kind of backed my way into comedic parts. When you're young, you kind of take yourself seriously, and you think, like, 'People need to see what I can do.' And it's so laughable, especially with actors.
Why are comedic parts for women the exception, not the rule?
I do think that I'm not good at making pretty things. It doesn't come so naturally for me.
As a black man, I actually had naturally sort of comedic curiosity about the Klan.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
However, perhaps the main point is that you are under no obligation to analyse variance into its parts if it does not come apart easily, and its unwillingness to do so naturally indicates that one's line of approach is not very fruitful.
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