A Quote by Karla Souza
I tell [scriptwriters] I think [their scripts] has too many stereotypes, that even the way they come in and out of Spanish doesn't really make sense, it feels forced.
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I can get by and chatter and talk and tell funny stories, make people laugh, but I don't have as many words, I don't have the vocabulary. I think if I forced myself to read in Spanish - you know, I always say I'm going to, but I lose my patience reading in Spanish, because I really do read the way a third grader does, mouthing the words. That takes a long time!
We lack good film scriptwriters. People like Anjan Chowdhury who could develop scripts of pure entertainers are quite difficult to find now. There are obviously some exceptions like Padmanabha Dasgupta. But how many scripts can one single Padmanabha Dasgupta churn out!
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.
I want to tell everyone, 'You're perfectly fine right now.' No one told me that.. I hope people can think, 'I'm great the way I am. I'm doing fine. Even if I can't reach the criteria of success measured and necessitated by society, even if I'm weeded out, I'm beautiful the way I am. I'm pretty, I'm perfectly fine without having to think about other people's opinions and stereotypes.'
I think the rules in Congress, and in particular the rules in the Senate, are unbelievably archaic and slow-moving and, in many cases, unfair. In many cases, you're forced to make deals that are not the deal you'd make. You'd make a much different kind of a deal. You're forced into situations that you hate to be forced into.
Nobody in my generation ever started out in private equity. We got there by accident. There was no private equity business - actually, the word didn't even exist - when I started. I got there out of the purest of happenstance and so I think many people find what they really enjoy doing just in that way. So another piece of advice for you is: don't worry too much about what you're going to be doing when you get out of business school - life will come your way.
Something I say a lot when it comes to anti-feminist stereotypes is that they exist for a reason. The stereotypes of feminists as ugly, or man-haters, or hairy, or whatever it is - that's really strategic. That's a really smart way to keep young women away from feminism, is to kind of put out this idea that all feminists hate men, or all feminists are ugly; and that they really come from a place of fear. If feminism wasn't powerful, if feminism wasn't influential, people wouldn't spend so much time putting it down.
There are scripts that have come our way that are much more likely to be hits, but we don't really think that way.
I don't ever tell people what to do! Even if it seems and feels that way sometimes, I don't think I should tell a person how to spend their money. I try not to tell people what to read.
Many times, I like to read the script before I even know who they want me to play, so I can read it and really enjoy it as an audience member. I think that's given me the ability to ferret out the really special scripts from all the rest.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
I do believe in the myth of San Francisco and there is a force, a magical kind of thing there. That feeling of like, I've never been to another place like it. It doesn't even feel Californian. Even how it's laid out physically, it's very strange. Like, the weather patterns don't make sense. They do scientifically, but in a practical way it doesn't make any sense. And that weirdness, it really creates some weird thing in the air. But it is you know, on a practical level, it's very expensive, and it's a very business-oriented place, too, and there's a lot of that stuff going on.
Cervantes is the most important Spanish writer. But he is not the most representative of the Spanish. His irony, his sense of humor - they are too subtle to seem Spanish.
I want to take it really far in Spanish; even non-Spanish speakers listen to my music across the world. Even though they don't know what I'm saying, they really feel it. We want to take it to another level and keep building our name. We want to take it really far just in Spanish.
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