A Quote by Karla Souza
[The main character] is in a forever-growing process. I feel the movie [everybody Loves Somebody] did that very well and not finishing off as "a woman's life ends when she finds the right guy".
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In the movie [Everybody Loves Somebody], the sister tells my character, "No, don't you want to be with someone?" I think the family - especially in this movie - they know that the reason that Clara doesn't want to have an emotional, intimate relationship is more because she was hurt so badly from heartbreak that she's then being closed off and cynical.
I love family. In this movie [Everybody Loves Somebody], my character is a successful OB-GYN and yet she goes back to her teenage years when she's with her parents. Like, that's me.
Something I was adamant about was that the movie [Everybody Lovess Somebody] wouldn't end with, oh, marriage saved [the main character]. They're married and she's OK. I was very pushing on having the ending be that she made an inner growth of healing so that she can then have the ability and the space to love and be loved by someone else, and that love is open-ended and doesn't mean they're going to get married tomorrow and all her problems are solved.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
A friend, who's a psychologist, told me about a patient once: a woman who was well educated, had a good job, a house and a loving husband. "I did everything right in my life," said the woman. "But I'm still not happy." She never did what she herself wanted, but what she believed society expected from her.
Growing up is a process that never ends. It isn't a point you attain so you can say, Hooray, I'm grown up. Some people never grow up. And nobody ever finishes growing. Or shouldn't. If you stop you might as well quit. What I have to tell you is that it never gets any easier. It goes right on being rough forever. But nothing that's easy is worth anything. You ought to have learned that by now. What happens as you keep on growing is that all of a sudden you realize that it's more exciting and beautiful than scary and awful.
We have this saying, and it's been very useful when a series, 'The Mindy Project' goes for longer than a hundred episodes, which is Mindy character can never get what she wants when she wants it. We enjoyed it because it felt very real to her character to make a big impulsive move and it seems like she has everything, this instant family, a guy she loves and then there's a moment of panic.
People say, 'Well, whose career do you follow? Where do you see your career going? What movie do you want to do next?' And I can't tell you what type of movie I would go and do next. I would have to read the script and feel for a character. And if I feel in my gut for a character, I know that that's somebody I have to play.
A perfect movie is a different thing, but a funny movie is easy. I was really happy that I got everyone that I got. Everybody got to play to their strengths and was paired up in the right scenarios. It was very fortunate. It was exciting, the whole process. It makes more difficulty in editing 'cause there's more footage, but the guy I had handle it was a documentarian editor for a long time, so it was very useful.
An inconstant woman is one who is no longer in love; a false woman is one who is already in love with another person; a fickle woman is she who neither knows whom she loves nor whether she loves or not; and the indifferent woman, one who does not love at all.
It was fun to play that surreal high school life [in Jawbreaker]. I was a huge fan of the movie Heathers. But I think at the time - you know, when the movie was released, it was a very limited release, and it didn't do very well at the box office. And I love the fact that it has found legs and that the audience has kept growing and growing over the years.
I'd love to do a movie with females in it, and not necessarily the female version of 'The Hangover,' but I'd love to. If I did it it'd star Juliette Lewis, because she's the funniest woman in the world. She's my favorite actress on the planet. If we did a character-based comedy about women, I don't see it out of my range.
It's strange how we always want other people to feel what we feel. It must be a basic human drive. Misery loves company, right? Or when you see a movie that you love, don't you want to drag all your friends to see it as well? Because it's only good the second time if it's the first time for somebody else—as if their experience somehow resonates inside of you.
I had given thought to acting, but I never really had a good enough opportunity or a character who made sense and paralleled my life a little bit. I feel like I'm one of the poster boys for a bad guy in a movie. I feel like I'm a good person to play a bad guy in a movie. I can say that.
The music in the movie [Everybody Loves Somebody] is very much hand-picked specifically because it's our history and our traditions. The themes are universal.
Every movie I work with the costume designer to see what feels like the character, not what Columbus would wear but what is right for the character. Outside of the armored truck standard issue security guard uniform, this guy is trying to make ends meet. He might have one pair of jeans, the same boot, maybe changes his shirt but he doesn't have a walk-in closet full of things, so I wanted something comfortable that felt like the character.
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