A Quote by Karla Souza

In the movie [Everybody Loves Somebody], the sister tells my character, "No, don't you want to be with someone?" I think the family - especially in this movie - they know that the reason that Clara doesn't want to have an emotional, intimate relationship is more because she was hurt so badly from heartbreak that she's then being closed off and cynical.
I love family. In this movie [Everybody Loves Somebody], my character is a successful OB-GYN and yet she goes back to her teenage years when she's with her parents. Like, that's me.
[The main character] is in a forever-growing process. I feel the movie [everybody Loves Somebody] did that very well and not finishing off as "a woman's life ends when she finds the right guy".
Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next?
I love that in this movie [Everybody Loves Somebody], you almost want to go and hang out with this family.
Something I was adamant about was that the movie [Everybody Lovess Somebody] wouldn't end with, oh, marriage saved [the main character]. They're married and she's OK. I was very pushing on having the ending be that she made an inner growth of healing so that she can then have the ability and the space to love and be loved by someone else, and that love is open-ended and doesn't mean they're going to get married tomorrow and all her problems are solved.
She didn't want to disrupt her family. She didn't want to lose her family; she didn't want to hurt her children. She struggled. It was a lifelong struggle for her, being in Bruce Jenner's body.
She is the mother I never had, she is the sister everybody would want. She is the friend that everybody deserves. I don't know a better person.
There is always the risk: something is good and good and good and good, and then all at once it gets awkward. All at once, she sees you looking at her, and then she doesn't want to joke around with you anymore, because she doesn't want to seem flirty, because she doesn't want you to think she likes you. It's such a disaster, whenever, in the course of human relationships, someone begins to chisel away at the wall of separation between friendship and kissing.
I think it's a lot more interesting to watch a character go through a transition in a movie. You love her and then you almost want to not like her because she gets mean and gets 'lost' and everything.
I love Renée Zellweger, she can do no wrong in my eyes. I relate to every character she embodies, because she has no pretense. I also love Amy Adams: She's so kind and talented, and whenever I watch her I think, I want to be her friend-I've seen Enchanted many times with my daughter. Meryl Streep, of course. And I love what Cate Blanchett brings to every movie she does.
I just want to be powerful and in charge, or crazy and in charge. Say anything I want, and still know everybody loves you. Or, you know, like Jessica Lange. She's not old-looking, but she's older and she's working on that America Horror stuff. Wicked.
I didn't want everybody to be pretty. I didn't want everybody to be thing. I didn't want everybody to be a size 4. I wanted it to be like the world. I think that we got there, and that was really special. I wanted texture and grit to everything. And then, you have an actress like Sarah Gadon, where you could rub dirt on her face and she'd look like she stepped off of a Vogue cover, and that's fine.
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
Yeah, I definitely wanted to do a kids' movie because I have a kid. I want to do things that my daughter can see soon - when she is old enough to know what a movie is.
I don't mind reminding people it's a movie, or that you're telling a story. Everybody knows this, but for some reason, we want to be real. I don't get it, I like the fakeness of my craft. I don't think the audience minds-they all know we're making a movie.
She's a yellow pair of running shoes, a holey pair of jeans. She looks great in cheap sunglasses, she looks great in anything. She's, "I want a piece of chocolate cake; take me to a movie." She's a, "I can't find a thing to wear." Now and then she's moody. She's a Saturn with a sunroof with her brown hair blowing. She's a warm conversation I wouldn't miss for nothing. She's a fighter when she's mad and she's a lover when she's lovin'.
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