A Quote by Karla Souza
This movie [Everybody Loves Somebody] is as much for the general market as it is for Latino audiences. That's a really exciting prospect.
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Tony Harrison is definitely not Demetrius Andrade. Yes, he's probably a prospect and doing good things but everybody sounds good, everybody's a prospect until you get in there with somebody that knows how to fight.
The music in the movie [Everybody Loves Somebody] is very much hand-picked specifically because it's our history and our traditions. The themes are universal.
I love that in this movie [Everybody Loves Somebody], you almost want to go and hang out with this family.
I see a Latino comic as someone who can only perform for Latino audiences. I cross the board.
Audiences are more drawn in to what they can relate to, so it would be stupid not to have great Latino films for the Latino audience.
There's a lot of things, even the landscape that we show in the movie [Everybody Loves Somebody] of Ensenada in Baja is just spectacular. There's so much more - I wish we could have shown more, but I'm glad we didn't see the typical, you know, border-sombrero-tequila thing that we normally do.
[Everybody Loves Somebody] one really loves both cultures, represents them in a very accurate, genuine, authentic, fun, fresh way, and it includes so many more people because it has that language aspect to it.
Somebody told me a long time ago that if everybody loves you, somebody's lying. It is the truest statement you could ever say to somebody.
In the movie [Everybody Loves Somebody], the sister tells my character, "No, don't you want to be with someone?" I think the family - especially in this movie - they know that the reason that Clara doesn't want to have an emotional, intimate relationship is more because she was hurt so badly from heartbreak that she's then being closed off and cynical.
[The main character] is in a forever-growing process. I feel the movie [everybody Loves Somebody] did that very well and not finishing off as "a woman's life ends when she finds the right guy".
Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make its money back, everybody has to go see the movie, and if everybody has to go see the movie, then it can't be about anything.
You've got audiences cheering at the prospect of somebody dying because they don't have health care and booing a service member in Iraq because they're gay. That's not reflective of who we are.
We have to promote a movie. It's just extraordinary that everybody I'm talkin' to loves this movie.
I felt really strongly about this script [ Everybody Loves Somebody] because, like you said, it's a very specific way of life.
I love family. In this movie [Everybody Loves Somebody], my character is a successful OB-GYN and yet she goes back to her teenage years when she's with her parents. Like, that's me.
You can window-dress and promote a movie as much as you like but if the movie hasn't got substance and isn't an exciting movie, people won't watch it.
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