A Quote by Karlheinz Stockhausen
Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.
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Work was like a stick. It had two ends. When you worked for the knowing you gave them quality; when you worked for a fool you simply gave him eyewash.
When you work with Drake, you don't really work with Drake. You send him the song, he rap on it, then y'all done worked together. So it ain't like me and him sitting in the studio.
When I went to Gabriel Roth's studio, I showed him I was good with my hands and started working as a handyman in his studio. I asked him for a chance, and he gave me a song to sing with Sharon Jones.
I used to work for Symantec AV: I worked as their in-house IT technician, and then I worked as specialized AV support, and then I worked for Hartford Life IT, in Dublin and London. I worked in IT from '99 through to 2007.
The good Lord gave me something, and he gave me intensity. He gave me a body, and he gave me the work and how hard I worked the body the way that it was.
But God has to be given permission to work in this earth realm on behalf of man. You are in control! So if man has control, who no longer has it? God. When God gave Adam dominion, that meant God no longer had dominion. So God cannot do anything in this earth unless we let Him. And the way we let Him or give Him permission is through prayer.
I heard today was the day Kurt passed away 17 years ago. Can’t believe it’s been that long. So grateful for his contribution and inspiration. Not sure I’d be doing this if it weren’t for him. He gave us all permission to create no matter what our skill set and reminded me that dreams are possible. Thanks for that. This made me recall a short piece of film I shot when I heard they were making a film celebrating his life. I made it to explore the character and explore creative possibilities. I never sent it to the studio or to anyone but thought I’d share it now...
I think the studio gave me that series on purpose, because they knew perfectly well that Robert Riskin was ill and that I needed to go to work. They gave me that series to do.
'Beyond the Lights' took incredible fight to get made. Four years of writing and two years of overcoming 'no.' Every studio balked. Twice. But I kept fighting. What gave me the courage was 'Love & Basketball.' Every studio turned down that film, too. But I never gave up because I believed in it with my whole heart and soul.
My father cared a lot about me, but he never gave me the satisfaction of really knowing it. Hitting .390 wasn't enough for him. Nothing seemed to be. He was not trying to be mean. He was just seeing to it that I never got self-satisfied, that I worked hard to get the most out of what I had.
Perhaps we invented the gods so that we could put the blame on them. They gave us permission to eat flesh. They gave us permission to play with unclean things. It's not our fault, it's theirs. We're just their children.
I hated Chris, my brother. I would pull his hair and kick him, until one day my father gave him permission to fight back. I'll be apologizing to him for the rest of my life.
My longings, my hopes, my dreams, and my every effort has been to live for Him who rescued me, to study for Him who gave me this mind, to serve Him who fashioned my will, and to speak for Him who gave me a voice.
I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.
My dean gave me permission to model during my work semester, even though I was in the Criminal Justice Department. I don't know whether I'd ever have become a model if he hadn't let me do that.
We never work on only one project because we never know if we will get permission for a project. So, for 'Over the River,' we started in 1992. I was just finishing 'The Umbrellas' in Japan and California, and I was also working on getting permission to wrap the Reichstag.
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