A Quote by Karol G

I want to be a mom. It's something that when I do have kids, I think I will retire from making music for a while. — © Karol G
I want to be a mom. It's something that when I do have kids, I think I will retire from making music for a while.
I always knew I wanted kids, but when my mom passed away I was like, 'I want a bunch of kids. I want three kids or four kids, and I want to have that relationship again.' I can't bring my mom back, but I can have children.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
I think the moment you try to make something for kids, you are making something really cruddy that even kids don't want to watch most of the time.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
While I enjoy it, I will continue to go onstage. While I contribute something, fine. I don't want to be dragging my feet. I don't want to become pathetic, but I think I will be lucid enough. I'll know when to stop.
I suppose you retire from trying. If you retire from trying, you think, "Maybe love will just come my way if I don't want it anymore."
I think my mom did everything pretty close to perfect, and I want to be the cool mom that the kids run home to.
It's weird with making music - you can have no vibe while you're working on something and recognize that the music was special afterwards. And it happens to me while I am working on my own music, as well! One minute you hate it, and then a few years you're obsessed with a little beat you did, and the opposite.
The kids that are making the ghetto stuff I can't even reach are the ones that are inspiring me to play music for the other kids in the city they don't even know about. If I don't get those kids making music, there won't be an original kid DJing like me in five to 10 years.
I want to invest and have my own record label and artists. I want to have a business where my kids, kids, kids will still have something going on long after I'm gone.
I think it's good for parents to be supportive, to motivate, and to somewhat nudge their kids because the majority of kids will want to quit something when it gets hard - that's just their nature. Children will normally take the easier road.
I don't want to deal with the underneath while I'm, you know, while I'm making it or while I'm writing it or when I'm making it. Because again, I don't want to hit these nails on the head too strongly.
We go to church on Sunday and then have family dinner. My mom usually cooks, and most of the time, it's protein and something else. She will ask us kids what we want!
I don't want my kids safe and comfortable. I want them BRAVE. ... I don't want to be the reason my kids choose safety over courage. I hope I never hear them say, 'Mom will freak out,' or 'My parents will never agree to this.' May my fear not bind their purpose here. Scared moms raise scared kids. Brave moms raise brave kids. Real disciples raise real disciples.
While making any record, you look for the opportunity to bring someone who will help generate something special in the music environments you create.
I think that if you listen to the same exact genre of music that you play, it is so easy to be influenced by it. There will be times where we are writing a song, and then realize that it songs like something we just heard on the radio. There was a while when we were writing, that I didn't listen to music because I didn't want to be influenced.
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