A Quote by Karol G
Everywhere I went, people would tell me that trap and reggaeton was for men, not women. I wasn't being taken seriously, and I was often being told to do something else.
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I think it's significantly easier to be a female writer today than in the early 1800's. That said, it's hard to imagine almost anyone who knows anything about publishing disagreeing with the statement that women writers today are often taken much less seriously than men writers. But it's hard to quantify, and even define, what being taken seriously means.
If there's anything I hate more than not being taken seriously, it's being taken too seriously.
The fact that people are embracing me so well as a new artist and being taken so seriously is something I'm really surprised by.
if I could tell my very-younger self something, I would tell him to let loose more often. I think it all roots in sexuality, but because of that, I became so worried about everything — worried about what people thought. I was afraid to be creative and charismatic and eccentric. Just to do things to do things, like dancing. I was afraid of looking too flamboyant or something. I would tell myself to stop being so stressed about what other people are thinking. Stop being so afraid that something may not come off the right way.
I've had my breath taken away when a fan told me since watching my speech she has stopped herself being beaten up by her father. I've been stunned by the amount of men in my life that have contacted me since my speech to tell me to keep going, and that they want to make sure that their daughters will still be alive to see a world where women have power and equality, economically and politically.
Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
Often and often afterwards, the beloved Aunt would ask me why I had never told anyone how I was being treated. Children tell little more than animals, for what comes to them they accept as eternally established.
I'm exploring the long history of women, first of all, being silenced and, secondly, not being taken seriously in the political and public sphere. It's a call to action through understanding and through looking at ourselves again and trying to reformulate the whole question of women and power.
The reason I don't do the Flair Flop anymore is because women's wrestling is being taken so seriously. I'll only perform something comedic like that at a house show.
Interestingly, one thing I've found that neither women nor men give up on is the idea of men as protectors. Even in cases where the woman is earning more, they'll often tell me that if there were a fire or something, they would expect the man to be the one to protect them.
People sometimes mistake being serious with being taken seriously.
I know in the movie it looks like my grandmother is condoning it, but she really wasn't. But back in those days, men beat women. She was trying to tell me something without being judgmental, trying to help me understand that's what men do.
For years and years, I convinced myself that I was unbreakable, an animal with an animal strength or something not human at all. Me, I told people, I take damage like a wall, a brick wall that never falls down, never feels anything, never flinches or remembers. I am one woman but I carry in my body all the stories I have ever been told, women I have known, women who have taken damage until they tell themselves they can feel no pain at all.
Women in the public eye and on TV are often scrutinized for how they look so I know how easy it would be to fall into the trap of taking on board this negativity. The healthiest way for me to deal with it is by being fit and healthy through activities like swimming, which helps me focus on what my body can do rather than what it looks like.
I do care about the consequences of being negative toward people who are powerful. But I'm more afraid of not being taken seriously as a critic - by editors, by readers.
What happened with reggaeton is that many artists kept recycling the same sound. But there are a lot of reggaeton artists that are still in their prime - like Daddy Yankee - because they've chosen to continue growing, to offer people more than just reggaeton. That's where I learned to always be able to try something new and not be afraid.
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