A Quote by Karolyn Grimes

My mother had early-onset Alzheimer's, and it took her four years to die. She was only 44; I was 14. — © Karolyn Grimes
My mother had early-onset Alzheimer's, and it took her four years to die. She was only 44; I was 14.
One thing I did have under my belt was, my mother lost her mother when she was 11. She mourned her mother her whole life and made my grandmother seem present even though I never met her. I couldn't imagine how my mom could go on but she did, she took care of us, she worked two jobs and had four children. She was such a good example of how to conduct oneself in a time of grief. When I lost my husband, I tried to model myself as much as I could on her.
I have a mother who never took no for an answer when it came to her creative pursuits. She started a hair salon in her spare bedroom and four years later had 30 employees.
There is a version of Alzheimer's which is early onset Alzheimer's. And it's - it's horrible, because people do get it in their 50s and 60s. And it's terrible.
You had every right to be. He raised his eyes to look at her and she was suddenly and strangely reminded of being four years old at the beach, crying when the wind came up and blew away the castle she had made. Her mother had told her she could make another one if she liked, but it hadn't stopped her crying because what she had thought was permanent was not permanent after all, but only made out of sand that vanished at the touch of wind and water.
In my case, symptoms began to appear when I was only 57. In fact, the doctors believe early-onset Alzheimer's has a strong genetic predictor, and that it may have been progressing for some years before I was diagnosed.
You can get tested now for early onset Alzheimer's. Hold on a second, could someone hire a marching band, cause I'm so happy I feel like having a parade. You mean I can find out early if I'm going to die of a super horrible disease that there's no cure for? Well, whoopee!
When my mother took her turn to sit in a gown at her graduation, she thought she only had two career options: nursing and teaching. She raised me and my sister to believe that we could do anything, and we believed her.
Mum was in her early 50s when she had four strokes in quick succession that almost took her off. I'd just come down from Cambridge with a rubbish degree. I spent a year reading to her - her eyesight was badly affected - and making sure she got proper rest. It was a special time but very intense, too.
My mother wanted to be a mother. That's the only thing she wanted from the bottom of her heart. She didn't want to be the number one actress - which she was - and she didn't want to be this great legend. All she wanted to be was a mother and she did but God took her away. So I always will empathise and sympathise with women.
My mother saw nothing inconsistent in her traditional desire to look after her husband and children and her radical politics. She began her civil rights work before most people had ever heard the word 'feminism,' and in those early years, she was focused on racial justice.
She didn’t understand why it was happening,” he said. “I had to tell her she would die. Her social worker said I had to tell her. I had to tell her she would die, so I told her she was going to heaven. She asked if I would be there, and I said that I would not, not yet. But eventually, she said, and I promised that yes, of course, very soon. And I told her that in the meantime we had great family up there that would take care of her. And she asked me when I would be there, and I told her soon. Twenty-two years ago.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
She was born Sarah Breedlove on a plantation in Delta, Louisiana, where her parents had been slaves. At 14, she married to get a home of her own, to get away from a cruel brother-in-law with whom she was living. At 17, she had her only child, A'Lelia, who I'm named after.
At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for someone.
Occasionally, on screen, Barbara [Stanwyck] had a wary, watchful quality about her that I've noticed in other people who had bad childhoods; they tend to keep an eye on life because they don't think it can be trusted. After her mother was killed by a streetcar, she had been raised in Brooklyn by her sisters, and from things she said, I believe she had been abused as a child. She had lived an entirely different life than mine, that's for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person.
It is my belief that people who speak of high school with a sugary fondness are bluffing away early-onset Alzheimer's.
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