A Quote by Karren Brady
The characteristics of successful business people, whether they are male or female, are very similar. It's about determination, it's about enthusiasm, it's about strategy, it's about communication, it's about integrity. And sometimes men and women display those differently but fundamentally they are the same qualities.
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We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
I'm about jobs. I'm about the fence. I'm about borders. I'm about a lot of things. I'm about our vets. I'm about strong military. You know, whether you break it down into men or women or anybody else, I mean, I think people want to hear that and I'm much better at it than Hillary Clinton is.
Sometimes the issue is about whether families and communities think girls are even worthy of an education in the first place. It's about whether girls are valued only for their labor and reproductive capacities or for their minds as well. And it's about whether women are viewed as second-class citizens or as full human beings entitled to the same rights and opportunities as men.
When men create movies about femme fatales, it really is always about how that female can destroy that male. It's not really about what's happening on the interior of that female.
Aggressive and hard-charging women violate unwritten rules about acceptable social conduct. Men are continually applauded for being ambitious and powerful and successful, but women who display these same traits often pay a social penalty. Female accomplishments come at a cost.
I look at our sport as the same as tennis. Male and female tennis is very, very different. The men's is more quick and powerful, and the women's is more about finesse and has more rallies - and that's the same with men's and women's football.
I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
Think about all the great leaders. Think about Obama. Think about Clinton. Think about Nelson Mandela. Think about all the people that we know who are very successful in business, in politics and religion. What are they? They tell purposeful stories. They move people to action by aiming at the heart.
I think I've learned a lot about how to make movies, and particularly about how to edit movies by thinking about how similar problems are resolved in other forms. The issues in all forms are the same in an abstract sense, aren't they? Characterization, abstraction, metaphor, passage of time... Whether it's a movie, a novel, a play, or a poem, those issues exist. And each person resolves them differently.
I've talked about that with friends, about what genre makes sense to choose for each record and the strategy around that... Sometimes it's more about the moment of time, and other times it's more about the sound of the song. Sometimes it's about what's going on in larger life, in politics.
Female heterosexuality is not a biological drive or an individual women's erotic attraction or attachment to another human animal which happens to be male. Female heterosexuality is a set of social institutions and practices... Those definitions... are about the oppression and exploitation of women by men.
On the question of women's sexual freedom or female independence, there are still issues that haven't been worked out. There's an aura of traditional gender roles that is not talked about that really permeates these conversations. There is this vacillation between a desire for independence and having the kinds of sexual freedom that men have and, on the other side, issues about female vulnerability and susceptibility to male aggression and violence. We need more honesty about the actual conditions in which sex is happening.
If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.
It's about women. It's about power and it's about women and you just hate those two words in the same sentence, don't you?
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
Men continue to misinterpret the second-rate status of women as implying a privileged status for themselves; heterosexuals think the same way about homosexuals; gentiles about Jews; whites about blacks; haves about have-nots.
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