A Quote by Karren Brady

I'm the sort of person who doesn't hear the word 'no' - I hear 'find another way to get what you want.' — © Karren Brady
I'm the sort of person who doesn't hear the word 'no' - I hear 'find another way to get what you want.'
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
When you get called the n-word, as a black person you can do anything. It's like getting a gold star in Super Mario Brothers and junk. I hear the music when I hear the n-word. I get right into it; I get really into it. You can do anything. You could be in a fancy restaurant - just start throwing poop at the walls. People be like, 'What are you doing?' 'Someone called him the n-word.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
The best way I can get understanding from another person is to give this person the understanding, too. If I want them to hear my needs and feelings, I first need to empathize.
You may hear the most beautiful things, you may hear promises, you may hear everything you want to hear but if the person you're dating is not following up with their actions then they're just words.
People get all up in arms when I describe myself as a crip because what they hear is the word 'cripple,' and they hear a word you're not allowed to say anymore.
When I write a book... it's the same essential approach to music as with books. It has to be something I want to hear or read. Hopefully the audience comes along, since that's the only way you can write righteously. I have to ask, 'What do I want to hear?' not 'What do people want to hear?'
I wanna hear it, I wanna hear it from each and every one of you. I wanna hear it from the kids, the men, the women. I wanna hear it from every single person in this arena. I want you to stand up out of your seat, I want you to get up and do what you should have done a long time ago! I want you to admit that you were wrong! All of you! You all were wrong! Each and every single one of you! I made it!
Nonfiction narratives are really powerful and valid in themselves. But one thing that you don't get sometimes from the more clinical or academic books or nonfiction books is that you don't get to hear the person's voice; you don't get them as individuals. You get a few quotes and you hear them as sort of a case study: numbers, examples, anecdotes, maybe a paragraph here, and that's about it.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.
Did you hear that? I didn't hear anything. Put that question another way.
You hear the word 'fake' thrown around wrestling, but it doesn't get more real when you hear the sound of 20,000 people coming unglued.
I have no clue why, but maybe sometimes when there's someone you don't hear from, it's the person you want to hear from the most.
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