A Quote by Karrine Steffans

I'm a power fanatic. I like to own things, and have them be mine. Acting doesn't belong to you, if you're not the writer or the director. — © Karrine Steffans
I'm a power fanatic. I like to own things, and have them be mine. Acting doesn't belong to you, if you're not the writer or the director.
A Muslim fanatic and a Christian fanatic, a Jewish fanatic, a secular fanatic, an atheist fanatic, a communist fanatic - all of them are the same. The thinking that, 'If you don't think like me, that if you are not with me, then you are against me;' this is something to condemn.
Even in the world of make-believe there have to be rules. The parts have to be consistent and belong together. This kind of picture is a lie. Things are forced to fit because the writer or the director or somebody wanted something in that didn't belong. And it doesn't feel right
I want to be a director, producer, and a writer. And an actor. So, like, all the things in acting, basically.
It's weird, I love acting and stand-up is a very unique, solitary thing where you are the writer, performer and director. But acting is incredibly rewarding, working and interacting with people to create funny moments. I can't imagine not doing acting or stand-up, I really enjoy both of them that much.
When you do improv, you're everything. You're a performer, writer, and director, because you're moving the scene in the direction you want it to go, you're making it up as you go, and you're acting it. You're all of those things, so I always viewed myself that way. And with the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.
When I started acting in my twenties, a director on the set of an action film shouted, 'Just do it like your dad would.' I couldn't. I can only do things as I'd do them.
For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong.
Evil is international and the fanatic is international and universal. There is no difference between a Muslim fanatic, a Christian fanatic, even a secular fanatic.
The dream, I think, with any project is it starts with an idea, and then somebody writes it, and the writer hopes that a director comes on and makes this piece of material visual, and both the director and writer hope that they can have actors come in and bring something to it that neither one of them expected, elevating it along the way.
Many pleasant things are better when they belong to someone else. When things belong to others, we enjoy them twice as much, without the risk of losing them, and with the pleasure of novelty.
I don't like to work with directors who have taken an adoption from another script writer, because it's too much: one of them writes it and then has to explain it to the other, or maybe the director sees it in a way the writer doesn't want it.
Acting is a lot of waiting to be picked, and I like to do a lot of things at once. I think I will have to find things that are totally mine. I have so much comfort that school and my academic life are totally mine. I hope that there's not a lot of idleness in my future.
To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.
It's madness to hand in a script to a director, leave them alone, and for the director not to want the writer there with rehearsals and the shoot.
My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.
To belong to someone - I didn't know it, but now that I think about, it seems like that's all I've ever wanted. To really be somebody's, and to have them be mine.
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