A Quote by Karthi

When my first film 'Paruthiveeran' released, I had no time to get excited. It was a worrying time for me. I was anxious to know how it would be accepted. — © Karthi
When my first film 'Paruthiveeran' released, I had no time to get excited. It was a worrying time for me. I was anxious to know how it would be accepted.
These past years have been really transitional for me in every aspect - personally, emotionally and professionally. I was excited and nervous and anxious because I literally had nothing to fall back on. This is my own thing, it's all me. I spent a year working on the record and really wanted to spend time on what it was going to represent and how it was going to represent me in this time in my life.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
I know that it has been a long time since 'Punda,' my first Kannada film, released, but I was determined to wait for a good subject for my next film in Kannada.
My worrying, for instance, was a scene in which I looked at myself while I had the sensation of being boxed in. I call that worrying, It has happened to me a number of times after that first time.
I remember the first time I saw a Broadway show and how excited I was. That really fuels me and for some, it's the first time they have seen Aladdin.
It's like going into the Senate. You know, the first time you get there, you're all excited, 'My God, how did I ever get here?' Then, about six months later, you say, 'How the hell did the rest of them get here?'
A lot of the time I had a nanny. But I never felt like I didn't come first. Mum always made time to be a mother. On weekends she would sit down next to me, hold my hand or sit me on her lap and make me talk about my week. She would continuously try to get to know me.
During my first pregnancy, I spent a lot of time worrying about how big I was getting and how I would lose it afterwards.
I've gotten to work with amazing people. I would say usually we get to a point before we get into the studio where there isn't that sense of anxiety or nervousness of who they are because I don't think it would be as productive in the studio if that was the case. But maybe meeting someone like Neil Young for the first time made me anxious.
'Paruthiveeran' was a difficult film to work on. It was my first film but a very strong character.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
After I read the story of 'Dangal' and before the film released, I called director Nitish Tiwari asking him if he had any good script. He told me to wait for some time. So we had three-four sittings, and this film, 'Chhichhore,' came to him. The film did not have superstars, but I felt that this is the script that needs to be told.
The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.
In those days, we imagined ourselves as being kept in some kind of holding pen, waiting to be released into our lives. And when the moment came, our lives -- and time itself -- would speed up. How were we to know that our lives had in any case begun, that some advantage had already been gained, some damage already inflicted? Also, that our release would only be into a larger holding pen, whose boundaries would be at first undiscernible.
Josh had told me a long time ago that he had this theory that an entire relationship was based on what occurred over the course of the first five minutes you know each other. That everything that came after those first minutes was just details being filled in. Meaning: you already knew how deep the love was, how instinctually you felt about someone. What happened in their first five minutes? Time stopped.
Well, I would have struck him, but I would have had to get up. You have no notion how difficult it is to arrange skirts when sitting down; it took me five minutes together the first time.
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