A Quote by Karthi

I have been receiving calls from all quarters since the release of 'Madras.' I need to thank audiences for believing in me and making this film successful. — © Karthi
I have been receiving calls from all quarters since the release of 'Madras.' I need to thank audiences for believing in me and making this film successful.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
After 'Aashiqui 2,' I have been receiving congratulatory calls and messages from people, and they are showering me with praises. I am happy that the film connected with the hearts of the masses.
I try to be straight when I communicate with my audiences through a film. I'm not sure whether I have been successful. I don't watch my film once they're in theaters.
'Vicky Donor' is now seen as a case study and the intelligentsias are looking at it from a strong academic point of view. I keep getting calls from medical practitioners who constantly thank me for making this film.
Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go.
The way you set up for a sequel is by having a successful film. The focus is on making a successful film, and making a film that travels around the world, and that people enjoy and have fun with, and that people are able to escape with.
You learn quite a bit about your film from test screening audiences. With both comedies and movies that are intense, you need to calibrate the film and see how audiences react.
When I met Bono at the Cannes Film festival while I was there for the film 'United 93,' he said to me, 'That's a great film, brother. Thank you for your courage in making it.' I plotzed.
We have been deceived into believing prayer is all about persuading God to release His power. We no longer need to beg or plead; we need to exercise the authority He has given us and receive His blessings.
I'm always open. I try not to have a closed mind. In fact the only reason why I'm able to continue to make films since 1986 is I have been adaptable. If I weren't flexible I sure wouldn't be making films this many years as I've been doing it. I've been making a film a year almost since 1986 and that's hard. That ain't easy.
The people who I grew up making music with, we've all grown up and become successful in different ways. My manager supported me since I was 16 and believed in me as a musician. He's been there since Day 1, and there's so much to be said about doing something with people that you love.
I've been making films since the '70s and trying to develop that best possible fiction-film style that I feel is the most expressive. At a certain point, I felt I was winding up making the same film stylistically and I found that boring.
When Balaji decides to release a film, all you will see and hear will be concerning the film - we go all out! Promotions are a big part of our banner - we believe in marketing... in letting audiences know what they are in for.
None in the 'Madras' team knew what to expect. We were just sure that we were making a good film.
Animation, for me, is a wonderful art form. I never understood why the studios wanted to stop making animation. Maybe they felt that the audiences around the world only wanted to watch computer animation. I didn't understand that, because I don't think ever in the history of cinema did the medium of a film make that film entertaining or not. What I've always felt is, what audiences like to watch are really good movies.
You finish a film not in the editing, but in the conversations that audiences have with themselves - and in that sense, every viewer is making a slightly different film. And that's wonderful.
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