A Quote by Karthi

I think people need to understand the amount of emotions I can pull off. I want films I'm offered to have these dimensions. — © Karthi
I think people need to understand the amount of emotions I can pull off. I want films I'm offered to have these dimensions.
I think, over the time that you're in the league, you learn what your body needs: you learn the amount of soft tissue work you need, the amount of dry needling, or the amount of sleep or your nutrition. You also understand that you have to pull back.
We tend to think only in terms of what we think is plausible that we could pull off and decide that "that's what I want", instead of focusing on "what do I want?" and then figuring out how we could pull it off.
You are a victim of your own neural architecture which doesn't permit you to imagine anything outside of three dimensions. Even two dimensions. People know they can't visualise four or five dimensions, but they think they can close their eyes and see two dimensions. But they can't.
If someone pulls me down, I pull them down, as I don't feel I should live my life in the way other people want me to. If they have a problem with my films, I can rip off their films, be it comedy or their family dramas, which are low on content and have over-theatrical acting.
People need to remember that to balance the federal budget off the backs of the poorest people in the country is simply unacceptable. You don't pull feeding tubes from people. You don't pull the wheelchair out from under the child with muscular dystrophy.
I once met a man who was a billionaire, and I said to him: 'Are you a self-made man?' - and he turned around and said: 'No man is self-made;' and certainly, if you want to make films or get into television or even theatre, the amount of help that you need, the amount of people who need to give you a helping hand is extraordinary.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
To have people with - with psychological problems have a background check before they can buy a weapon? I don't think the NRA would pull me off that one. If they do, then I need to be pulled off it because... you can't give a weapon to someone who has mental issues, right.
'Miracle at St. Anna.' I was challenged by Spike Lee. When he offered me the film, he looked me square in the eye and said, 'You start this film off and you end this film. I don't want a dry eye in the theatre. Can you pull that off?' He was dead serious.
Miracle at St. Anna.' I was challenged by Spike Lee. When he offered me the film, he looked me square in the eye and said, 'You start this film off and you end this film. I don't want a dry eye in the theatre. Can you pull that off?' He was dead serious.
So we want to make it easier to shop and understand products because many people aren't educated about what's offered - do you know your premiums? Do you know your copays? Do you know your deductibles? And so figuring out ways that we help people understand what this is, how it works, and that they can shop to get what they need.
I think that now most people know someone in their family that is coping with something, but there is still a tremendous amount of shame - that one is still regarded as a defective unit ... if only they would pull up their bootstraps - they are only indulging their emotions, everybody's moody, blah, blah, blah.
I'm either offered window-dressing parts in large movies or little art films no one ever sees. People think the movies I end up doing are my real choices. I do the best things I'm offered.
I just want to make films that have enough of a budget to pull off high-level imagery but also have a budget that is low enough that I can do what I want.
I don't understand the fashion industry and the appeal of it. I understand that there are some people who think it's important to them, and they're designers, they're artists, but there seems to be a disproportionate amount of our culture that's caught up in that and the red carpet stuff. It seems like there's a disproportionate amount of attention placed on that.
I think a lot of young girls see actresses, and they think of red carpets, and they think of 'Us Weekly,' and they don't really think about the breaking down of a script and what that requires and what you would need to pull it off.
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