A Quote by Kartik Aaryan

For 'Guest Iin London,' I got a lot of appreciation. — © Kartik Aaryan
For 'Guest Iin London,' I got a lot of appreciation.
'Guest Iin London' didn't work, but it got me more work; it helped me grow as an actor.
I have apparently become a sequel queen because of films 'Raaz: Reboot,' 'Guest-Iin-London,' 'Yamla Pagla Deewana Phir Se' and 'Housefull 4.'
I lived in London, went to the London School of Economics, do a lot of business in London, and have a lot of fun in London.
Workaholics typically have a lot of achievement with very little appreciation of what they have, whether it's cars or friendships or otherwise. That is a shallow victory. Then you have people with a lot of appreciation and no achievement, which is fine, but it doesn't create a lot of good in the world.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
An Albanian’s house is the dwelling of God and the guest.’ Of God and the guest, you see. So before it is the house of its master, it is the house of one’s guest. The guest, in an Albanian’s life, represents the supreme ethical category, more important than blood relations. One may pardon the man who spills the blood of one’s father or of one’s son, but never the blood of a guest.
Acceptance is appreciation, and the high value of appreciation is such that to appreciate appreciation seems to be the fundamental prerequisite for survival. Mankind will not die for lack of information; it may perish for lack of appreciation.
A lot of London's image never was. There never was a Dickensian London, or a Shakespearean London, or a swinging London.
A lot of people ask me, 'Are you going to do a sequel to 'The Guest' or 'You're Next?' - those movies weren't financially viable, so even though there are a lot of fans of it, it'd be a pretty small market we'd be appealing to. It's got to be a big hit for you to really justify that.
If you're going to do a guest spot on television, they need bodies on those procedural TV shows. You've got to keep working, and that's where a lot of the work is.
I have got lot of appreciation for my performances in many Kannada films. In fact, I got the best roles of my career in Kannada films.
A lot of people that I know are bugged with the idea that they have got to have an audience, or they have got to be liked. I think the more that you fall into that trap it makes your own life harder to come to terms with, because an audience appreciation is only going to be periodic at the best of times.
If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
A lot of people live much more simply than in the old days. That doesn't bother me. Keeping busy is the problem. Television guest shot fees are going down. You can do a dozen guest shots a year, but you're not making that much money.
I was at my house in Paris, having a day off, when I got a phone call from Arsene Wenger - he asked if I'd come back to London for a medical. I woke up at 9 A.M. on transfer deadline day, jumped on a train, got to London, but then it never happened.
I rap and I sing, so then you've got a bit of hip-hop in there. I'm Jamaican, so you got a bit of dancehall. And I'm from London, so there's a bit of London things in there... And at sometimes, it's a little bit Afrobeat.
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