A Quote by Kartik Aaryan

All my characters have been relatable. — © Kartik Aaryan
All my characters have been relatable.
I think whenever you transform from normal light-hearted characters, to characters which might be out of your comfort zone or less relatable, that is double the work and commitment required to understand the society that character comes from.
Traditionally, there's been a desire to make shows relatable so the maximum number of people would think of those characters as being recognizably like them. The risk there is you can push everything in a somewhat generic direction.
I let characters be human and flawed and relatable.
'90210' was looking at teenagers from a perspective that hadn't really been seen on television, though it had been seen in movies like some John Hughes films. I don't know if you want to say '90210' was real, but what the characters were going through was relatable - in a very glamorous environment.
As an audience member, I live vicariously through the characters I watch or read about. There's something very relatable about comic-book characters. They're never perfect. They're flawed people put in extraordinary circumstances.
To connect with the characters, you need to connect with the world. If the world feels vaguely familiar, I believe the characters will feel relatable.
I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
I think characters are most terrifying when they're relatable. It's best when your most horrible characters make sense, and are believable. That's when a movie is most terrifying.
Everyone loves characters that are relatable or who have unique quirks or tragic flaws.
I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.
I've been doing It's Aways Sunny for 12 years, and so I have this cable sensibility. When I read the Grinder script, I was like "this is edgy," which is great, but in a different way from Arrested Development. I feel like the characters are a little more relatable, so maybe that's the difference.
During my career I've enjoyed re-invigorating and contextualizing classic characters that are relatable to contemporary audiences.
During my career I’ve enjoyed re-invigorating and contextualizing classic characters that are relatable to contemporary audiences.
If you wanna do a film where you have a big scope, you've got to make your characters relatable and genuine.
The more shaded, flawed characters that are struggling, I think there's something very relatable about that.
I really try to make myself relatable, which is hard, because supercars in general are not relatable.
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