A Quote by Kartik Aaryan

I think comedy is a genre that has a lot of potential. It is a very content-driven film genre. — © Kartik Aaryan
I think comedy is a genre that has a lot of potential. It is a very content-driven film genre.
Any genre as it's called, I think can be quite reductive in terms of what a film is, because I think there is an eagerness to put in any film, in anybody's work, to give it a genre title and I think as a consequence of that, the film starts to obey the rules of the genre.
I think romantic comedy, when done right, is my favorite genre. It's just a genre that's very human.
I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.
We love genre, but in film if you make a genre film it has to all be about the genre. We were excited to be able to tell more complex stories on television.
'Rudhramadevi' is a film which falls into a very new genre. It is a historic and biographic genre movie. It should be called a bio epic. I am curious to see how the audiences accept the film.
The great thing about television is that you get to tell, like with "The Walking Dead", 16 hours worth of character-driven storytelling in less time than it takes to make a feature film. So, it really is a medium at least for storytellers who are passionate about not only the genre but also the character-driven genre stories. It's probably a better medium.
Comedy as a genre is the one that has given me maximum success, and I do broadly get associated with this genre. I thoroughly enjoy comedy, especially because it is inherent to my personality.
Nowadays if you talk of comedy as a film genre, you cannot create a simple comedy film, because there are so many other platforms where you can watch comedy free of cost.
I think the war movie genre is a very important genre in film. Film gives you a visceral experience of something that you would never otherwise experience. To give the audience a real feeling of what maybe a certain kind of warfare would be like I thought was great.
I think I've never really liked the idea of genre, a film that follows the rules of a genre.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
I genre-hop quite a lot. I love manipulating genre and deconstructing it and making it irrelevant. Genreless music is great because it means you get to write in any genre that you like.
Sure, it can happen that the director sees you in a particular genre, and they like your work in that genre; they tend to think that you can only do well in that genre.
My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I've made it.
The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
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