A Quote by Kartik Aaryan

My characters in both 'Pyaar Ka Punchnama' films were so relatable that every other guy connects with me. — © Kartik Aaryan
My characters in both 'Pyaar Ka Punchnama' films were so relatable that every other guy connects with me.
Since two of my films of 'Pyaar Ka Punchnama' series worked, people think I am good in such roles.
'Pyaar Ka Punchnama' is a universal concept. You can use different set of characters and put them in a situation like this again and again.
Everyone loved 'Pyaar Ka Punchnama,' and it appealed to a mass.
'Pyaar Ka Punchnama' was mainly a boys' film; we girls were just a catalyst. We would set up a situation for them to react to, and the joke would come on us. The applause was for the boys. But, the film paved the way for me in the industry.
I always try to pick up interesting scripts, and thankfully, I have been lucky to get scripts like 'Pyaar Ka Punchnama,' 'Akash Vaani', and 'Sonu Ke Titu Ki Sweety.'
In both the 'Punchnama' movies, the characters and their relationships were only about boyfriends and girlfriends. But in 'SKTKS,' we had so much more to talk about.
I like 'Pyaar Ka Dard Hai' on Star Plus. It not only has a good story but good actors as well.
My beliefs encompass all religions. But I never show my religious inclination in my films. My characters have dark sides; they aren't the god-fearing characters. It wasn't a conscious decision. I'm a very lazy and emotional person who connects with the common man.
After watching 'Stanley ka Dabba,' I just told myself that the one guy I have to work with is Amol Gupte. The reason being, his films are very simple and they create such a magical world around.
I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.
If I have to do 40 films like 'Punchnama,' I will take it up as long as I enjoy it.
European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films
European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films.
'90210' was looking at teenagers from a perspective that hadn't really been seen on television, though it had been seen in movies like some John Hughes films. I don't know if you want to say '90210' was real, but what the characters were going through was relatable - in a very glamorous environment.
Language is so specific to art, all the way to the past in China. Previously, people were not allowed to include various regional dialects in their films, but in every film that I've made, I've maintained the regional dialects of the characters because I wanted to make films that were locally specific.
I had my boundaries and restrictions of doing films so I stopped working in the eighties. This was an era when films were more action oriented. Most of the characters cast in the pivotal roles were either daakus or police inspectors. My face suits neither of these characters. I cannot look like a daaku, so acting had taken a back seat.
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