A Quote by Kasey Keller

The final true artform in what we're talking about is the goal itself. And for us to try and stop that from happening, we're kind of the anti-art. — © Kasey Keller
The final true artform in what we're talking about is the goal itself. And for us to try and stop that from happening, we're kind of the anti-art.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
The true artist does not create art as an end in itself; he creates art for human beings. Humanity is the goal.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
We spend more time talking about what's happening on Twitter than we do talking about what kind of organising people are doing in the cities we live in.
Provided we can escape from the museums we carry around inside us, provided we can stop selling ourselves tickets to the galleries in our own skulls, we can begin to contemplate an art which re-creates the goal of the sorcerer: changing the structure of reality by the manipulation of living symbols ... Art tells gorgeous lies that come true.
I don't try to hide our relationship with Jay-Z. There's nothing to hide. People see us, but we just don't talk about it, and I think that's absolutely helped us. People give us space and respect us. The minute you start talking about it, that's all people want to talk about. And then the really big rumors start happening.
The mind we have when we practice zazen is the great mind: we don't try to see anything; we stop conceptual thinking; we stop emotional activity; we just sit. Whatever happens to us, we are not bothered. We just sit. It is like something happening in the great sky. Whatever kind of bird flies through it, the sky doesn't care. That is the mind transmitted from Buddha to us.
Art makes people do a double take and then, if they're looking at the picture, maybe they'll read the text under it that says, "Come to Union Square, For Anti-War Meeting Friday." I've been operating that way ever since - that art is a means to an end rather than simply an end in itself. In art school we're always taught that art is an end in itself - art for art's sake, expressing yourself, and that that's enough.
There are always so many things happening [to us] at one time. We read Isherwood's A Single Man in class, and we had to ask: How is he talking about all this stuff: teaching, being lonely, all his memories, all at the same time? He's telling us: This is where my head is at, let me be straightforward. And of course, try be artful about it.
If being an anti-art artist is difficult, being an anti-art art historian is a hard position indeed. His doctrinal revolutionism brings forth nothing new in art but reenacts upheavals on the symbolic plane of language. It provides the consoling belief that overthrows are occurring as in the past, that barriers to creation are being surmounted, and that art is pursuing a radical purpose, even if it is only the purpose of doing away with itself.
We are not moving towards some kind of goal. We are at the goal, and it is changing with us. If art has any purpose, it is to open our eyes to that fact.
Talking about myself is difficult for me. It's anti my true nature.
The thing is too that when you sell people a false reality and they take that to be the norm, when that false reality is light-years from what’s really happening, that in itself is a tremendous defense mechanism because when you start talking about what is actually happening, it is so different from what people perceive to be happening. They just can’t make that jump; it’s too insane for them.
Stop talking about the murders, and we won't know they're happening. And then we can all just live in a bubble that isn't reality.
The most important thing will be when we actually stop talking about sexual orientation. The moment we reach that point when that is not important any more, we've reached a big goal which is a long way in front of us.
Labour allowed ourselves to be painted as anti-business for talking about insecurity, when in reality, the opposite was true.
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