A Quote by Kashmira Shah

Talking about myself, I get only two to three projects a year but let me tell you they are substantial projects. — © Kashmira Shah
Talking about myself, I get only two to three projects a year but let me tell you they are substantial projects.
We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
I'm able to do my television projects and movie projects that I really want to explore. For me, it's not about the money, it's not about the fame. I love creating.
Many of the projects I'm most proud of are tall buildings, especially the housing projects. In New York I have two: one in Kips Bay and one at New York University. At that time, those projects were most challenging.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
I always write three or four projects at the same time. They're stories that I want to tell, and usually I dump them unfinished for the next one in order not to get too cornered and depressed about it.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
Except for the projects in Israel, my being Israeli has contributed negatively to my global activity. It is hard for me, for example, to get projects in the Persian Gulf emirates.
I've been lucky. The projects I've gotten to work on are projects I'd want to watch myself. That's what I try to shoot for.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
I don't like albums; I like projects. I want to tell a story - I don't want to limit myself to 10 songs or four songs or whatever. I just tell a story and I want you to feel something. If it took me one song or if it took me four, call it however you want. So I call them projects.
Growing up in New York, there are a lot of tenement buildings and a lot of projects. You don't leave your projects too much. The laundry's there. The grocery store is there. Everything takes place right there. When I got knowledge of myself and thought about moving around the city, hip-hop was something that helped me.
A lot of the projects I've allowed myself to get involved with over the past few years have made me a bit unfocused. It's just so ridiculously easy to do things here; if you're part of the scene, in five minutes you can wind up with two gigs within three days of each other. There's too much going on here and that's a bad thing, to me. Unless you want to jam, and then it's good.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
I was amazed to receive later a substantial sum for sitting in my room and talking about myself. If only I could get some of the back pay!
I do my best to choose carefully. If I don’t feel that collaboration is going to happen, I say no. Think about it. These projects can involve a five-to-seven-year partnership. If you don’t feel comfortable with someone, you can’t get rid of them. I just walked away from a job for that reason. Every one of these projects is an emotional investment, like falling in love. You’ve got to believe in it and you’ve got to like the people you work with.
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