A Quote by Kasper Schmeichel

Notts County were League Two and they had they great plans. Things were happening and I was like 'wow these guys are serious.' It was a mad season because we were flying private jets to game. It was all a farce and I had signed a five-year contract.
I came to Notts County and I loved being there. It was great to play a full season and win the League Two championship.
I'll tell you, girl fans were actually pushier than the guys. The guys got scared, because when the five of us were together, we were out of control. If I were in the room with the five of us, I'd leave. It's like a five-headed monster.
You look back at the '95 season, and a lot of those guys were getting mega minutes. Michael Jordan was out playing baseball. We were still winning, won 55 games I think, so those guys were all very content and happy with the way that things were going that year.
I think it's incredible because there were guys like Mays and Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
The sack is a sad fact of life for football managers. I have been axed three times. The chairman at Notts County was on record as saying it's the worst thing they ever did. Within a couple of years they were one game from losing league status.
There was violence because first of all, there were ethnic differences and names. If you were small, they called you a runt, and you had to do something about that even if there were five other guys.
I think it's incredible because there were guys like (Willie) Mays and (Mickey) Mantle and Henry Aaron who were great players for ten years... I only had four or five good years.
We were young, we were wild, we were restless Had to go, had to fly, had to get away Took a chance on that feelin' We were lovin' blind borderline wreckless We were livin' for the minute we were spinnin' in Baby we were alot of things, but we weren't crazy
In the past, in the '60s and '70s, genres were much more segmented. You had action guys who were deadly serious about it, and I think you had comics that were comics.
My siblings and I were raised like tenants, to be honest. There was a total absence of intimacy in my family, though there was still a great deal of camaraderie among the kids. Things were set up almost like a business, and it had to be managed that way because we were really poor, and there were a lot of mouths to feed.
I think what shaped me was I had two parents who were scientists, and especially, they were great readers. They had both grown up in sort of rural parts of the South and were oddballs where they grew up. They were budding intellectuals.
I think we all realized that we had really been replicating things that had already been happening. I don't know if we were smart enough to realize that we were in a cul-de-sac, but we were curious.
When we started on 'Coraline,' there was a whole host of things that we had no idea how we were going to do. Because we were making films in a way that had never really been done before, we were taking this hundred-year-old art form and bringing it into a new era by embracing technology and innovation.
I had no problems staying motivated because things that were happening were things I looked forward to.
I was living in a loft with Dave Sitek - this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
No, I was two years older than the other guys. I was a war baby. My family were a lot poorer than they were. I'd had to fight too hard for anything I had in my life and to smash things up for me.
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