A Quote by Kasper Schmeichel
I think I am a bit different to how my Dad was. He had very set routines, I take it as it comes.
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I'll say initially acting was my first love, and that's what I pursued. But then, so far as even my first day on a film set, and just watching how things were set up, I just said, 'I think I want to be in charge.' I am very much type-A. I am a bit of a control freak.
Workers develop routines when they do the same job for a while. They lose their edge, falling into habits not just in what they do but in how they think. Habits turn into routines. Routines into ruts.
I do enjoy having researchers and writers around me because I am getting a lot of different influences now from the opposite sex, different races, people of different ages, who are helping write the routines. So I am seeing things from other people's perspectives, which I never really had to do before.
Michael [Douglas] is, I think, a great actor. He's made some very interesting pictures. When he was going to college, I was very proud of him, but when he said, 'Dad, I want to be in a play,' he had a bit part. I went to see it and Michael said, 'Dad, how was I?' I said, 'You were terrible.' I thought he would go on to be a lawyer and in three months, he was in another play and I went and, I must admit, he was great. I think he has been good in everything he's done.
Fathers are very, very important in building the foundations and self-esteem of children. For me, the way that I was raised, consideration, courtesy and manners are really key and I think the father plays a big role in setting an example to children in how to behave out in the world and how to treat people. It's a little bit different when it comes from the dad rather than the mum somehow.
My mum was raised Jewish, my dad is very scientifically minded, and my school was vaguely Christian. We sang hymns in school. I liked the hymns bit, but apart from that, I can take it or leave it. So I had lots of different influences when I was younger.
I don't think my natural talent is much different to the other gymnasts. It is a matter of how I train and how I think about my training. I also give a lot of thought to my routines.
I really believe that the raw ingredient of any creative business is the set of experiences that the team has, the set of skills. I think a simple fact is that if you have a different set of experiences based on how you grew up or how other people perceive you, or if you have a different set of skills, that will produce a better company.
I've had people - I've seen people do routines that I knew they didn't take from me but they had - because for whatever reason I had stopped doing it a long time ago. There's no way they would have heard this bit. But it ends up being pretty much the same thing.
It's important to be gentle about my routines. I've learned that the hard way. When I'm really stressed out, I can take it out on my body and hurt myself. Sometimes I need to be as loving and soft with myself as possible. I've had to learn how to pay attention. It's a kind of mind-set.
I often talk with other actors about that time when you've just finished a job, because I think you do take on the characteristics of some of the characters you play. Sometimes it can be a great thing and sometimes it's a bit haunting because you're not quite sure how to leave it on set. My dad talks about it as being 'de-personalised.'
I think it would be self-indulgent to go, "Oh, I'm going to make this character different by giving him a quirk of some kind." I don't think that serves the story, particularly. But even very similar scenes with a different set of actors, a different set of circumstances, it starts to evolve as a different character.
I can explain how a person with autism thinks. I am very, very interested in how people think. It's been a gradual process of learning more and more about how my thinking process is different. You know it's bottom up - you take specific examples to make concepts and then I put them in categories.
In the same way the Brits had to get used to the idea that the sun had set on the British Empire, I think that there's the subrosa feeling that we are at the end of the American century, and I think that's very, very hard for Americans to take.
I had no intention of replacing Arnold [Schwarzenegger]. There were a few things that made me want to do the movie. They were the script which had a different direction to it, and it was a chance to do a very different Quaid. I didn't read the short story until I went to college.Reading the story had a different effect on me of how I pictured him to be and the tone of the story was different. In the story, he's a bit more of an everyman.
My dad taught me how to fish. When I am stand in a trout stream now, and I have the waders on, and I've got a fly rod in my hand, or I am fishing for bass, I think of sitting in a boat with my dad. How can that be a bad experience?
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