A Quote by Kassie DePaiva
Such crazy things happen on daytime TV; if you were to take a specific scene out of context, it can sound so far-fetched that you start laughing at the material... and that can take you out of watching the performance.
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The script of 'Shogun' was so tight that you could not take a word out of a sentence, you could not take a sentence out of a scene, and you certainly couldn't take out a scene without putting ripples right through the back or the front of the overall story.
I like to take walks and getting out and seeing things. These experiences are so irreplaceable and give you a whole different perspective on the greater context that you're in. If I didn't try to take advantage of that, I'd be missing out on a lot of really interesting things.
A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage.
A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
Certainly we have to find some kind of warning to put on guns for sale. And that's not too far-fetched. But what I really want to do is take the guns out of the hands of irresponsible people.
She has never messed up a single take yet. Recently I was in a scene and there was a table covered with a cloth. When the director said cut, I saw a black nose and two paws inching out from under the cloth. She had hidden there without making a sound until we were done with the scene. She wanted to be nearer to me.
It's interesting because the way J.J. cuts - we're very close with our editors as well, so it's kind of the first cut and then he went back and started tightening things up, etc, then loosing things when it was too tight. Then you start watching it and you start figuring out performance - not performance, character-wise I should say, who you're really able to follow, whose journey is harder to follow, and you make all that work.
This is a jury of your peers. They watch the same TV movies. They belong to Oprah’s Book Club. You can take any monster, slap a bad dad into his past, and all of a sudden he’s just another lost soul, lashing out. And you were the poor lady that got in the way. They’ll argue you lacked compassion. You were the one who took things too far.
We didn't evolve; God made us. So I just want to explain to you exactly how that happened... Some of the things you'll hear do sound a little bit far-fetched. I admit that. Then I found out that the other name for The Bible is The Gospel, so it is all true. Luckily, the clue is in the title.
There are moments, moments of fun but it's never necessarily a wink/wink. It's just interesting and odd and crazy things happen inside the world just like a crazy thing happened inside our world. So we don't shy away from that stuff. We take semi-ordinary characters, even though they have their own skill sets, we take those guys and we drop them into extraordinary situations and watch how the get out of them.
Watching a movie should be like hunting. Out of context, every image of the cinema is yours for a split second. Take them before they bury it.
Every now and again, people on the far right take a quote from a progressive out of context and use it to attack them.
In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene.
I don't know - the idea of a specific wine paired with a specific piece of music seems a little far-fetched to me. But maybe I just need to be opened to it.
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