A Quote by Kat Dahlia

I'd want to collaborate with Eminem, of all people. Maybe even Lauryn Hill. But career-wise, I'd say I'd want to have something most like Madonna. — © Kat Dahlia
I'd want to collaborate with Eminem, of all people. Maybe even Lauryn Hill. But career-wise, I'd say I'd want to have something most like Madonna.
I'd want to collaborate with Eminem, of all people. Maybe even Lauryn Hill.
I definitely listened to Lauryn Hill - her's was like the first album I bought myself. Brandy's Never Say Never and Lauryn Hill's The Miseducation of Lauryn Hill were always in rotation for a couple of years.
People didn't really take white rappers seriously until Eminem, because he was better than everybody. Like female emcees, you need to be like Lauryn Hill or Nicki Minaj or killing everything before somebody takes you seriously.
I feel like the albums I grew up listening to - for example, Eminem, Lauryn Hill, Christina Aguilera - they all spoke about real stuff that was happening in their life and everyone else's life.
I've always loved playing with hair. I used to want dreads like Lauryn Hill, but my mom wouldn't let me.
I love Lauryn Hill, Tracy Chapman, Fiona Apple. People like that. People you can really connect to on the most basic human level.
I don't want to be a flash in the pan. I want to be around for a very long time. I want to be like a Sheryl Crow or a Melissa Etheridge or even a Madonna with how her career has lasted so long and she is still respected in the music business. That's really what I am aiming for. I'm not really looking for 15 minutes of fame.
The film's title You Can't Be Neutral on a Moving Train. comes from something I used to say in teaching my students "This is not going to be a neutral class." The world is already moving in certain directions and wars are going on and children are going hungry. Terrible things are happening. And so to be neutral in a situation like this is to collaborate with whatever is going on. And I don't want to collaborate with the world as it is. I want to intrude myself. I want to participate in changing the direction of things. So that's the origin of the title.
I always had a love for music, but I was watching 'Sister Act 2' with Lauryn Hill, and I heard her sing, and I was just like, 'Man, I want to do that.' The whole movie overall was an inspiration for me.
I don't want to get ahead at the expense of somebody else. I don't even want to be the center of attention - I mean, yes, I made the movie and I can do all these things, but I don't want to always keep being in the middle of it. I want to collaborate with people and be a part of a creative community. I don't know.
If it's a heartbreak-related stress, I like to listen to Lauryn Hill's 'Forgive Them Father' the most, especially the harmonies.
If you can say something to people that's maybe a little bit insulting, but they're kind of giggling as they are hearing it, if you say something to their face without them getting mad at you, I think that's the right balance. You don't want to make it uncomfortable, especially for the viewer or the people around either. Sometimes that happens. You're watching and you're like, 'Uh, this is awkward. I don't want to look!' But, if everybody's enjoying it, I think that works.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
I don't want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I've never met. I want to go on living even after my death!
I always say that you don't have to like 'The Room', but you will discover something - maybe a tiny little thing - and say, 'Wait a minute, maybe I want to see more.'
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
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