A Quote by Kat Dennings

I like people's attitudes more than fashion or beauty or whatever it is. — © Kat Dennings
I like people's attitudes more than fashion or beauty or whatever it is.
I tend to like to make my statements more in fashion than in beauty, because what I normally respond to is when someone looks really effortless and deconstructed, beauty-wise, and they're fashion is really grand. Someone like Kate Moss is a great example.
I share a lot more than I ever really thought I would with friends, let alone millions of people, and it really started surface level for me: beauty, fashion, lifestyle, whatever.
Fashion is not a real element of beauty in external objects; and to persons who possess a good endowment of Form, Constructiveness and Ideality, intrinsic elegance is much more pleasing and permanently agreeable, than forms of less merit, recommended merely by being new. Hence there is a beauty which never palls, and there are objects over which fashion exercises no control.
With all the new media outlets out there, with all the noise, a voice of authority and calm like Vogue becomes more important than ever. The more eyes on fashion, the more opinions about fashion, the more exploration of fashion around the world, the better it is for Vogue. Vogue is like Nike or Coca-Cola—this huge global brand. I want to enhance it, I want to protect it, and I want it to be part of the conversation.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
I think young people are aware, more than when I was young. There is such an obsession in the media of young people, about their beauty. The magazines and the fashion, all these kinds of things. They know that, and they use this power.
I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.You could claim that it's due to my military experience. But it came before that. I love their freedom of behavior. They're not constrained by penal attitudes, puritanical attitudes about behavior, both socially and morally. They have a freedom that I admire. An unquestioned freedom.
I want the image of disabled people like myself to change into a picture of strength. Fashion needs to redefine its idea of beauty and have more of an open mind.
Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.
Interestingly, when it comes to fashion, I like the styling part more than I like the actual fashion.
I think Welfare Reform did more harm than good, but one piece of good it did was it changed the attitudes of Americans. If we look at voter surveys even before the recession, the idea that people are poor because they're lazy was much stronger in the early '90s than it was even before the recession. Now with the recession, everybody knows somebody who is poor through no fault of their own. So voter attitudes are more favorable than they've been since the '60s.
Costumes, fashion, it's all an expression of self, and the more you push the boundaries - the more that people work at creating alternative ideas - the more it changes people's ideas of beauty.
More essential than working on attitudes and behaviors is examining the paradigms out of which those attitudes and behaviors flow.
Some authorities believe that one prosperous thought is more powerful than a thousand failure thoughts; and that two prosperous attitudes steadily held and expressed are more powerful than ten thousand failure attitudes!
We need to be smarter than our smart phones and realize the people we are with are more important than the people we aren't with, and way more important than the strangers we hope will tweet and like and share and Instagram whatever we're sending out into the cybersphere.
I wasn't that into it or that knowledgeable of fashion until I started working on 'True Jackson.' I feel like it was my duty to learn more because people would feel that I should because I'm on the show. So definitely, that made me more involved with fashion, and now I'm a little fashion guru. It's totally out of control.
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