A Quote by Kat Edmonson
For 'Way Down Low', I was particularly inspired by a breakup I was going through and a transition I was making from Austin to New York.
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It isn't the changes that do you in, it's the transitions. Change is not the same as transition. Change is situational: the new site, the new boss, the new team roles, the new policy. Transition is the psychological process people go through to come to terms with the new situation. Change is external, transition is internal
When I was forty, I was getting divorced, living in a low-class, dirty hotel in New York. My mother was dying of cancer. I owed $20,000. That was about the lowest. I came back to show business, and I couldn't get a job. I was turned down by every small-time agent in New York.
I feel like I can be infinitely inspired because New York is huge. There's always a new street I can go to, or a billion new people who I haven't met that I could write about. New York is very humbling.
New York State is upside down and backwards; high taxes and low performance. The New York State government was at one time a national model. Now, unfortunately, it's a national disgrace. Sometimes, the corruption in Albany could even make Boss Tweed blush.
It's about being open to what comes your way. I came to New York and saw 'Spelling Bee.' I said to myself, 'That's the greatest show ever, and I can't believe I'm not a part of it.' I felt the only way I'm going to get to be a part of something that good is to live in New York. So I moved to New York and ended up in 'Spelling Bee.'
Journalism today is obviously in a major transition. Going to journalism school, learning how to write, working your way up in a little paper in Decatur, Georgia and then moving to Atlanta and then maybe to New York: it's just over. You have to have a whole other set of skills now. You have to be a videographer, you have to do social media. You can't do a long, thoughtful, insightful piece if you don't have the time to do reporting, particularly reporting around somebody who doesn't want to be known or an issue that doesn't want to reveal itself.
I've been living in New York City almost seven years, and my mentality has changed a lot. Just from being in New York this long and going across America, I realize that in New York, nobody really cares. They are just like, "We're New Yorkers." I feel like that is really the way it should be.
If you can't write like New York, you have no business living in New York and making New York the locale of your stories.
New York State is upside down and backwards; high taxes and low performance.
Everyone's gone through a breakup, and I've dated girls in the past where... I've never had a messy breakup, thankfully, but I'm never the one to end it. I'm always caught off guard as to why things ended because I guess I'm oblivious in a way.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
I went through this kind of existential crisis. I was going through a breakup; I tore my ACL and my meniscus and had to have surgery, so I was out of school for a few months. Then my computer crashed, which was, like, my whole life. So when I came out of it, I started making music that, I think, was the most true to me.
Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
Being in New York as a whole, Brooklyn as well, you can do anything you want. That's by far the best part about New York, besides just the hustle and grit and grind of Brooklyn specifically, but the best food. Anybody you want to get in contact with, odds are if they don't live in New York, they're passing through New York at some point in time.
New clothes are a great way to deal after a breakup. A good mix CD also helps you get through it and... you know, 72 hours of ice cream.
We have the industrial agriculturalists who try and make an argument that big is beautiful. But if you do the math, and particularly if you factor in that the price of oil is going to go through the roof, and so the price of transportation is going to go through the roof - making it abundantly clear that it's out of whack. The efficiency arguments are already crumbling, particularly if you actually include the cost of food pollution that these industries cause. They are tremendously unsustainable and tremendously inefficient.
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