A Quote by Kat Graham
I actually got a play from auditioning for something in 'Back Stage' magazine.
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I guess I did a couple of things when I was a kid, but they weren't really acting - I think I walked down a corridor or something. Then I didn't want to do it at all. I got into it because both my parents were actors and so I went with the flow. Then I said, "I can't handle this, I don't like auditioning." I still hate auditioning, but it's less painful then it was back then.
It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.
You've got to love the villain if you have to play him. You've got to find something that you can live with in yourself if you're going to play the villain in a play on stage.
I always, always meant to be on stage. I only ended up even auditioning for television and movies because I was understudying a Turgenev play on Broadway and was so broke that, when I got a mini-series, I had to take it and was so ashamed because I was such a snob.
I'll always be back to the stage. I have no doubt that the stage will always call me back. There will always be a character that no one else can play, and I'll be back to play it.
I started, actually, in journalism when I was - well. I started at the 'New York Times' when I was 18 years old, actually, but really got into journalism when I was 15 years old and had started a sports magazine which was trying to become a national sports magazine.
The movie industry has been contacting me. I have been auditioning - that's actually why I am in California. I was here meeting with studios and auditioning.
The good thing about auditioning is that you get to test yourself and see if you can play this character - you're also auditioning yourself.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
It's pretty hard to stand in the queue auditioning to play a gynaecologist on 'Holby City' when you've just played Mandela. You think, 'Actually, I want to challenge myself.'
I just used to back my instincts and go with the flow. Lately, I've realised that once you play at the highest level you've got to take that maturity to another stage.
For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
Actually, I started as a ventriloquist and my music teacher said, "Why don't you emcee the talent show?" My act was out of the back of Boys' Life magazine-they had a whole series of jokes in the back of Boys' Life magazine for Boy Scouts. So my act was jokes with my ventriloquist figure, and it was really bad, but I walked into the classroom afterward and the kids went, "Wow, you're cool." I wasn't cool at all, but I thought, "Well, this is a pretty good deal."
Me and Don Henley are fast acquaintances now, or something. He actually got on stage and sang with me.
I have made mention of something I've found incredible a lot of times. I'm gonna remind you of it again. A TIME magazine cover back in the mid-1990s. The cover story on that issue of TIME magazine had the following headline Shock: Men and Women are Actually Born Different." When I saw that the first time, I was astounded. I cite it often, because I need to ask you a question: What must you think, what must you believe if you come across research that tells you men and women are born different?
In terms of the timeline, 'The Force Awakens' came out in December of 2015. I got the role in November of 2015. I was auditioning and waiting to hear back when their marketing machine was everywhere. It's like you're going for something that's so high stakes, and you try to remind yourself, 'Okay, stop thinking about it,' and it's everywhere.
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