A Quote by Kat Graham

I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship. — © Kat Graham
I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship.
I'm somebody who listens to a lot of funk, a lot of James Brown, and I want to be somebody who contributes all that energy to the mainstream.
You can't really dance properly to James Brown. If you dance to James Brown, you look like an idiot. There's a lot of jerking.
A lot of people still don't realize that, before Rascal Flatts, I was in a Christian band for four or five years, and I had the opportunity to work with some of the greatest pop musicians and producers in L.A. I learned a lot from Peter Wolf; he was one of my heroes growing up in the '80s. He was a producer of a lot legendary pop music.
I used to break a lot of clubs. I probably was a little different than your average junior player. I did have a lot longer hair and a lot more brown hair. But my demeanor, you know, really from maybe my second, third year on Tour, has gotten a lot more even keel.
I went through the whole number, you know. The swing era, the boogie woogie era, the bebop era. Thelonious Monk is still one of my favorites. So a lot of these people had their effect on me.
I thought of a lot of people from the same era when I was making a lot of records that had continued making a lot of records. A lot of it didn't seem terribly inspired.
You say 'African music' and you think 'tribal drumming.' But there's a lot of African music that's like James Brown, and a lot, too, that sounds very Hispanic.
I've studied a lot of great people over the years - Pete Seeger, James Brown - and tried to incorporate elements that I've admired, though I can't say I dance like James.
Back in Kuwait, I had started listening to a lot of English language music: western music, I would say - Kate Bush and Radiohead - and I loved Chet Baker, Etna James, a lot of singers and a lot of bands.
My dad listened to a lot of James Taylor when I was growing up. We had a couple of his cassettes in the car, and we'd go on a lot of long family car trips. It was either strange musicals or James Taylor - or Whitney Houston. It was quite the combination there.
There were all us baby boomers who had a grammar school education, started to learn, then went on the pill, the whole thing, and so there are today a lot more women writers, editors, producers, and so a lot more women's stories. God, the BBC's practically run by women.
There's a lot of guys who have great technique, people practicing a lot and you hear them, but there's not that many people who when you hear them, you go, "Man, that guy must practice a lot," right? Then you hear Miles Davis play, and you go, "Man, I had a girlfriend like that." That's a whole another level of musicianship.
I've got a lot of opportunities, a lot of love in my life, a lot of things going for me. Still, it's not complete. I know this is not the whole thing. There's much more.
Charles and I are from Augusta, Ga. - so we come from James Brown territory, soul music and Motown. And Charles has always had a lot of Southern rock in there as well.
They should probably have a James Brown aerobic tape. You would lose a lot of weight.
I've worked with a lot of different producers, a lot of different writers on the album, so I mostly feel like I learned a lot about what I don't want to do the next time around.
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