A Quote by Kat Graham

I'm somebody who doesn't believe in conforming to maybe whatever is on the radio. — © Kat Graham
I'm somebody who doesn't believe in conforming to maybe whatever is on the radio.
The Drive-Bys want to believe that somebody like me on the radio could express difficulty, problems with the wall not going up now, the funding not being requested now, in lieu of a government shutdown. And they want you to believe that Donald Trump is in the White House, and somebody said, "You know what, Limbaugh just said you better not do this."
I believe that everybody has the right to believe what they want to believe and to knock somebody's faith and religion is foolish, whatever it may be - Christianity, Judaism, Islam, Buddhism.
I have a weird sense that people ten years younger than me don't own a radio, or maybe they own a radio, but they don't call it a radio.
A lot of what gets on the radio isn't saying anything other than somebody wants to be famous and will do whatever they're told to get it.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
Don't get caught up in fashion games. These kids probably think we're old, nark conformists or something, but really, they're just conforming in their own ways. They're conforming to nonconformity.
I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.
Whatever had been on the radio in the '60s; I mean we were always listening to the radio.
Whatever had been on the radio in the '60s; I mean we were always listening to the radio
I think one of the reasons that I got so good at it, as somebody making radio stories, is that on the radio I can actually - I can understand what's happening in the interview and can make a connection in a way that makes sense.
I always thought I was commercial. I always thought I was writing hit singles. These days, whatever's on the radio is considered commercial. People like what's on the radio, whatever it is.
At home, the radio was a big source and the classic radio programs we would listen to like Amos and Andy and whatever other ones there were.
The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.
If you believe the people who love you, you get lazy. And if you believe the people who hate you, you become... maybe intimidated, or whatever the word might be, and you don't write as well.
I've done nothing wrong. Some people just don't like me. Maybe I'm somebody that's easy to dislike, but I don't get it. Whatever. I'll do what I do.
Maybe it’s my own fault. Maybe I led you to believe it was easy when it wasn’t. Maybe I made you think my highlights started at the free throw line, and not in the gym. Maybe I made you think that every shot I took was a game winner. That my game was built on flash, and not fire. Maybe it’s my fault that you didn’t see that failure gave me strength; that my pain was my motivation. Maybe I led you to believe that basketball was a God given gift, and not something I worked for every single day of my life. Maybe I destroyed the game. Or maybe you’re just making excuses.
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