A Quote by Kat Graham

I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night. — © Kat Graham
I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night.
I just want to live on the road. I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night. If I'm not performing every night, I get totally depressed. I know that sounds really weird, but I hate sitting at home and not having a 1 A.M. performance now. It kills me.
I find that when I get on stage now, I don't want to perform a lot of my songs because they don't feel like me. So I want to make songs that are timeless.
My dream was always to hop up on stage in front of my fans every night and perform.
Hit songs are mysterious and slippery beasts; few artists have a lock on them. This means that many people, like me, have become fans of songs rather than fans of artists.
I'm in a difficult position in the sense that, preposterous as this might sound, I don't like being the centre of attention. I get up on stage every night and play songs, but I almost feel the songs are the centre of attention. I don't like opening my birthday presents in front of people, either.
I think that watching artists, soulful artists, they get into it. It's always the way I perform, so when I'm on stage I just try to get into it - I'm in my own world. That's the whole thing about the stage, it's like a sacred place. They're [the audience] watching into the different world, right, so it's like you see performers and they're in the same room, so it's a different vibe. Sometimes it's great, but I try to separate it, you know, I wanna separate it 'cos otherwise I feel naked. It just feels natural.
There are certain artists that get into the little circle in hip-hop, and everybody is talking about them, and they are buzzing. But they can't go out and sell out tours, perform in front of 3,000 people a night, and things like that. We did things backwards; with Visionary, we got all the fans first.
My mentor, [Ingmar] Bergman, when we worked on stage, he said you can't convince a thousand people at the big stage where we were working. You can't convince everybody, but just pick one every night that you perform for and make sure that he or she will have an experience that alters their life in a more positive way. So, just one every night. That's worth all the struggle and screaming.
"On Script" is one of my favorite songs I've ever written. I'd just been jamming on it one day, and again I was struggling with lyrics. I'm still figuring out what it's about. I've seen a couple of reviews that are like, "It's about the monotony of playing the same songs every night," because I say, "On script every night/Like a well-rehearsed stage show." It's not about that at all, but I find that funny, how people project what they think about me, or songwriters in general.
I can't think of a better bonding experience than to be able to sit on stage and to watch your fellow performers perform on stage every night.
When I'm writing obviously I have all the nostalgia in the world, I have all the emotion in the world, but then when I actually perform, I need to just perform it, and that's it. I do retain like a little bit of it because I have to, I sing and perform the songs so I have to - it's a performance of the songs - but I just have to get the right balance.
Every night I get up on stage, I love it. I never get like, 'Oh, I'm bored, I want to go home.' I never, ever get like that.
I still perform because it's a necessity for my innards. And those songs, some of those songs, I have sung, I don't know how many thousands of times. And I promise you, every single solitary night, they're new to me. They are brand-new to me that night.
I have the luxury of having the choice to perform and go up on stage every night.
We love not just Judas Priest music, but we love heavy metal and we love to get out on that stage every night and perform. It's a joy to be able to do it.
You look at driving down the road, night after night, tryin' to make a town, getting $25 - that's hard times. It's our duty to make it good times for the fans that pay their money to see us perform each and every night.
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