A Quote by Kat Timpf
Personally, I chose my own undergraduate institution in large part because the scholarship options made it affordable for me to attend. Make no mistake: The financial feasibility of each school's cost was a major part of making my decision, as it was for almost everyone I knew.
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Making decisions was the painful part for me, the part I agonized over. But once the decision was made, I simply followed through—usually with relief that the choice was made. Sometimes the relief was tainted by despair, like my decision to come to Forks. But it was still better than wrestling with the alternatives.
So when somebody asks me to make a decision about a situation, I don't offer a solution, I ask a question: What are our options? Give me the good, give me the bad, give me the pretty, give me the ugly, give me the impossible, give me the possible, give me the convenient, give me the inconvenient. Give me the options. All I want are options. And once I have all the options before me, then I comfortably and confidently make my decision.
After nearly making a terrible mistake not buying See's, we've made this mistake many times. We are apparently slow learners. These opportunity costs don't show up on financial statements, but have cost us many billions.
The voice so filled with nostalgia that you could almost see the memories floating through the blue smoke, memories not only of music and joy and youth, but perhaps, of dreams. They listened to the music, each hearing it in his own way, feeling relaxed and a part of the music, a part of each other, and almost a part of the world.
The people at the label were great but at the end of the day our visions didn't match up and I knew I had to do it my way. The potential success that could come with signing with a major label didn't quite outweigh how important it was for me to make my music the way I knew it needed to be made. It was a hard decision to make, but I've never regretted it for a second and it's only become more clear to me after making and releasing Stairwells that it was the right one.
We have always borne part of the weight of war, and the major part ... Men have made boomerangs, bows, swords, or guns with which to destroy one another; we have made the men who destroyed and were destroyed! ... We pay the first cost on all human life.
My undergraduate education, at the City College in New York, was made possible only by the existence of that excellent free institution and the financial sacrifices of my parents.
It's part of the institution of teshuva, if you make a mistake, you have to restore it as you can.
I had made a decision, although I hardly knew it yet. It's often that way with decisions, they're made in some hidden part of us and the awareness secretes itself slowly into that conscious part of us that imagines it decides.
The natural disposition of most people is to clothe a commander of a large army whom they do not know, with almost superhuman abilities. A large part of the National army, for instance, and most of the press of the country, clothed General Lee with just such qualities, but I had known him personally, and knew that he was mortal; and it was just as well that I felt this.
No one chose to be part of a love. You don't choose it. It's not a decision that you make.
In the first place, I insist that our fathers did not make this nation half slave and half free, or part slave and part free. I insist that they found the institution of slavery existing here. They did not make it so, but they left it so because they knew of no way to get rid of it at that time.
In a large pharmaceutical company, where it's a big bet, you're going to need finance people to be involved in the decision-making because the investment can run into the hundreds of millions of dollars. You're going to have to run scenarios. You might even need agreement from the C.E.O. to make that type of decision. If it's an incremental, low-cost decision in a marketing-oriented company, it may be a very different set of stakeholders a lot further down in the organization.
It sounds vain, but I could probably make a difference for almost everyone I ever met if I chose to involve myself with them either professionally or personally.
I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard.
Because travel has always been such a vital part of myself and so essential to who I am, I have made the decision to continue to put myself back out into the world. And that's not an easy decision to make.
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