A Quote by Kat Von D
I'm a stickler when it comes to every aspect of my line. My development team probably hates working with me sometimes... but in a good way. I think that I push them to a certain degree to create something that's going to withstand the test of time.
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I think the higher you can bat in your Shield team, if you're doing well there the better off you're going to be for batting anywhere in the Test line-up or any of the line-ups.
Freud believed that our dreams sometimes recapitulate a speech, a comment we've heard or something that we've read. I always had compositions in my dreams. They would be a joke, a piece of a novel, a witticism or a piece of dialogue from a play, and I would dream them. I would actually express them line by line in the dream. Sometimes after waking up I would remember a snatch or two and write them down. There's something in me that just wants to create dialogue.
The time is a thing; you don't have so much time. A good trick is to try and think about a way to use material from one occupation for the other. It's like going through working a day job, this is so dumb to say, but you know how Julian Schnabel made those crockery paintings while he was working as a short-order cook? It's like that, using what is around, transforming that to create meaning and make art. Trying to take nothing and make... something.
I think being honest with one another creates an environment that's comfortable. You want to know where you stand, whether you're doing a good job. The players know what's going on before you do. They're trying to see if you're going to do something about it. And when it's not like that, everybody is pissed off, because they know that people can get away with stuff and that nobody is keeping them in line. That's not a team to me.
I think it is also good for my development, playing in a team like Southampton at right-back where sometimes you're going to be under pressure and be one-v-one with the best players in the world, let alone the League.
All I've learned is that you need the studio system sometimes, if your budget is a certain size, and other films you can do independently. When I think of a studio, I generally think of distribution. Since I'm a director, I have a similar creative experience on every film I do, because I can control that. But then it's a different film, I think, as it reaches the public, depending on the way it's marketed. I don't know. I haven't learned much of anything. Sometimes you need them, sometimes you don't. Sometimes they want you, most of the time they don't.
Guys that are young in the league. Guys that you get to teach them your way. It's not a bad thing. It's actually a good thing. It's working for them. Teach them that way, and I guarantee they aren't as stubborn and hard-headed as I was, which sometimes is good, sometimes is bad. But like I always say, I'm not going to change who I am.
I don't like just traveling in for a short time. I've done that before, because sometimes you work for magazines and they have a budget, and if you're working for them, they want something by a certain time.
I need time, but as soon as possible, we are going to try to create team spirit. That is the most important thing. After that, you can create tactics, but we have to create something special with ourselves.
Sometimes a poem appeals to me technically, just because of the way a line feels on my lips. Sometimes it is because it says something I have felt, or sometimes something that I suddenly recognise. Other times it can change the way I see something.
Sometimes you've got to draw a line between having all the options and being a slave to the things, using them every time you play the guitar. I'm trying to keep a real inconsistency to the pedals so that it is something new every time.
I think I'm a leader in a different way. I'm not going to do it with my mouth on the pitch. Maybe if the team needs a bit of inspiration during the game, I can provide that and push them forward.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God
Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
If I think of something, half-way into it, I can throw it in there and it won't be so far down the line that it would be insignificant. However, I also like to completely focus on something for a certain period of time, and then be able to move on to something else.
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