A Quote by Katarina Johnson-Thompson
I actually hated dancing. My mum used to have to bribe me to go by buying me things. A year before I stopped going, I was going to go for an audition with the Royal Ballet. It turned out I was a year too young. Because I was tall, they thought I was older. But before I had the chance to go back, I quit.
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Fonteyn was our first proper British ballerina, and from the moment I started dancing, her image engulfed me. In my first year at the Royal Ballet School, Margot's statue was outside my dormitory. Like generations of budding ballet dancers before me, I used to touch her middle finger for luck.
You can't keep going back to Detroit because you're big in Detroit. You can go maybe once a year and sell it out because everybody loves you and looks forward to seeing you again. You can't go back twice in the same year.
I'm a festive guy to begin with and Halloween is my favorite holiday. I went all out on this one costume. It's a ghoul that makes me approximately 10 feet tall when I wear it. I actually got an offer to work at a haunted house because the costume is so great, and I did it for about an hour and a half before I got too cold and had to quit to go inside. Michigan winters are no joke.
I want to go back to the child I used to be, and to read with the same naiveté [the Pentateuch]. I want to leave science aside and go back to the pure perception offered to me in the text that is waiting there for me year after year.
Actually, a person asked me if I was ever going to come back to WWE. I told them that if I came back, it probably wouldn't be as WWE Superstar, because the young guys are really what it's all about. Bringing me back as an announcer is a great position for me to actually go out and make the young guys bigger stars.
Realization that i couldn't be a ballet dancer was a blessing in disguise because that was the first time I felt like I stepped into adulthood. I realized, Okay, this is not going to work out. It was frustrating for about a year because I didn't know what to do with the creativity and the discipline that dancing had instilled in me from a very young age. But then I moved to Paris to model, and that was my cultural awakening. Now, I think dancing has been the biggest thing in my life, much more so than modeling, and it still helps me enormously in my work.
I was so small, I wasn't even going to go back out for my junior year. But my mom and dad sat me down and said, 'we didn't raise a quitter - you're going back out.' I made the team and everything happened from there.
As late as my junior year, I was taking Italian at Duke because I thought I was going to have to go overseas and play. Then I had a great senior year and became a lottery pick.
Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
I thought the opportunity to play golf 12 months a year would give me a chance to go where I wanted to go.
God brought me to Himself at about the age of 4. My parents were devout believers and my Dad was in Bible College at the time. I remember hearing the gospel in Sunday School and I talked to my Mom about it one night before bed. It was clear to me that I was a sinner and I was not going to heaven if I died without accepting Jesus Christ and what He did on the cross for me. I was brought to Christ out of fear of going to hell. I didn't want to go there if I died and there was only one other choice in my mind as a 4 year old. I wanted to go to heaven. It was and is that simple.
I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
St. Lucia was a place were we used to go on vacation - not every year, but we went there a couple of times. I remember the last time that I went there, I was really small, and the only memory that I have is that my dad was going swimming or fishing one day - and I really, really wanted to go - but I was too young.
My dad was a lovely guy. I had great parents. But he was a conservative shopkeeper, and he said, "Look, I don't know how to help you as an actor, but if you want to be an actor, give it a go for a year. Get a job. And if you don't get a job, then we're going to reevaluate and you're going to go back to school." And I thought that was a fair thing.
Monmouth was important to me because that was the first stepping stone. I am very grateful to the Monmouth program for taking a chance on a four-year lacrosse player who had a year of eligibility left. It was an awesome experience to go back there and play football again, especially since it was close to home.
I realized I had a novel on my hands, but didn't know where it was going to go. So I thought, 'I'm going to do everything that you're not supposed to do when you plan a novel; I'm going to step back and let this thing take itself wherever it wants to go, and I'm not going to worry about how things connect until later on.
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