A Quote by Kate Adie

In any war, there is a concealment of certain kinds of setbacks because it's propaganda for the enemy. — © Kate Adie
In any war, there is a concealment of certain kinds of setbacks because it's propaganda for the enemy.
A war film can be propaganda and they're very valuable as propaganda, as we realized in Britain in the Second World War. Film as propaganda is a very valuable tool. It can also demonize, which is the dangerous side of a war film as propaganda. But there are war films that are not propaganda. It's just saying 'This is what it's like.' For 99 percent of us we don't know what it's like. We have no idea. So to reveal that to the audience is powerful.
The result of this is that so-called peace propaganda is just as dishonest and intellectually disgusting as war propaganda. Like war propaganda, it concentrates on putting forward a ‘case’, obscuring the opponent’s point of view and avoiding awkward questions.
The most effective method of propaganda directed at the enemy forces is to release captured soldiers and give the wounded medical treatment... Whenever soldiers of enemy forces are captured, we immediately conduct propaganda among them...This immediately knocks the bottom out of the enemy's slander that the Communist bandits kill everyone on sight.
In the first World War British propaganda had to invent the stories of German soldiers bayoneting Belgian babies, because there were too few real atrocities to feed the hatred against the enemy.
Anybody who has listened to certain kinds of music, or read certain kinds of poetry, or heard certain kinds of performances on the concertina, will admit that even suicide has its brighter aspects.
Another touchy point: the inability of successive Israeli governments to deal with the propaganda war. Israel has a brilliant instrument in the IDF. We have a cyber-war unit which may become the best unit in the world to fight cyber problems. On the propaganda war...it is a large failure.
The person who imagined that he could not be the victim of propaganda because he could distinguish truth from falsehood, is extremely susceptible to propaganda, because when propaganda does tell the truth, he is then convinced that it is no longer propaganda: moreover, his self-confidence makes him all the more vulnerable to attacks of which he is unaware.
[Negro] should realize that he is living in a war zone, and he is at war with an enemy that is as vicious and criminal and inhuman as any war-making country has ever been.
It is well known that in war, the first casualty is truth - that during any war truth is forsaken for propaganda.
The United States has it's own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
The United States has its own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
I am certain - I am deadly certain that we cannot win this war unless we are free to call our enemy by name: Radical Islamicists and failed tyrants.
The truth is, there is no Islamic army or terrorist group called Al Qaida. And any informed intelligence officer knows this. But there is a propaganda campaign to make the public believe in the presence of an identified entity representing the 'devil' only in order to drive the TV watcher to accept a unified international leadership for a war against terrorism. The country behind this propaganda is the US . . .
The rationale which accompanies that imposition of male authority euphemistically referred to as 'the battle of the sexes' bears a certain resemblance to the formulas of nations at war, where any heinousness is justified on the grounds that the enemy is either an inferior [part of the] species or really not human at all.
Consensual paranoia - the pathology of the normal person who is a member of a war-justifying society - forms the template from which all the images of the enemy are created. By studying the logic of paranoia, we can see why certain archetypes of the enemy must necessarily recur, no matter what the historical circumstances.
As a peace machine, it's value to the world will be beyond computation. Would a declaration of war between Russia and Japan be made, if within an hour there after a swifty gliding aeroplane might take its flight from St Petersburg and drop half a ton of dynamite above the enemy's war offices? Could any nation afford to war upon any other with such hazards in view?
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