A Quote by Kate Adie

Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance. — © Kate Adie
Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
I remember once at the end of a BBC job interview the manager said to me: 'I didn't realise people like you were clever.' I don't think he was being intentionally nasty. At that time in the BBC he was surrounded by clones of himself, give or take some facial hair and glasses.
Few Americans born after the Civil War know much about war. Real war. War that seeks you out. War that arrives on your doorstep - not once in a blue moon, but once a month or a week or a day.
Once the war began, the government could do anything 'necessary' to win it; so it was with the 'final solution of the Jewish problem,' which the Nazis always talked about but never dared undertake, not even the Nazis, until war and its 'necessities' gave them the knowledge that they could get away with it. The people abroad who thought that war against Hitler would help the Jews were wrong. And the people in Germany who, once the war had begun, still thought of complaining, protesting, resisting, were betting on Germany's losing the war. It was a long bet. Not many made it.
I'm just happy to be a film where for once I don't have to worry about my hair, because my managers are always complaining about my hair looking depressing in my movies. Which is true. I mean, it's true.
For Beirut it was the civil war, and the dividing of the city - which is something that is shared among Beirut, Berlin and Baghdad. And Cairo is a city that has a scar that was born after many decades of dictatorship - oppression shaped the people's lives, and forced people to grow up accompanied by fear. I belong to a generation that, whether we like it or not, was shaped by this fear of death or loosing the people you love, the threat of war, not allowed to be yourself, forced to be silent - as you watch ignorance occupying everything around you. And this is a deep scar.
My own father was a refugee from the Spanish civil war in the 1930s, later going on to become a BBC radio producer after World War II.
The secret of any kind of reporting is to go with a guide. So if you, you're going to see Hezbollah in Beirut, you go with someone who knows the local people, and you'll be fine.
Reporting the consensus about climate change ... is not synonymous with good science reporting. The BBC is at an important point. It has been narrow minded about climate change for many years and they have become at the very least a cliché and at worst lampooned as being predictable and biased by a public that doesn't believe them anymore.
I think I've been mildly obsessed with my hair. I don't think I have a hugely adversarial relationship with it. One my essay is about my decision to keep coloring my hair once it started to go gray, but once I wrote the essay - once the book was in production - I decided to go gray.
I think even a hero is someone who has sort of the flaw or imperfection of character. I remember Alice Walker saying that once - she'd written a novel about a civil rights hero, and it was someone who had this flaw, this central flaw.
My reporting in Africa wouldn't be political per se, but it's certainly the point of my reporting - and of a lot of other reporters I know: Human suffering is bad, and if reporting stories about it brings it to light and someone does something, that's part of the point of journalism. And it's a thin line between that and activism, and you have to be careful about that.
Growing up, my birthday was always Confederate Memorial Day. It helped to create this profound sense of awareness about the Civil War and the 100 years between the Civil War and the civil rights movement and my parents' then-illegal and interracial marriage.
It was important for me to show that Beirut and Lebanon were once the pearl of the Middle East. Beirut was once called the Paris of the Middle East and to have that feeling of a destroyed place that once was beautiful and glamorous and visually impressive was important. I think it's even sadder to get the feeling that this country, and indeed the whole Middle East, could have been a major force in the world if people would get together and forget about destruction, death and wars. But unfortunately, it's not happening yet.
Civil disobedience is not our problem. Our problem is civil obedience. Our problem is that people all over the world have obeyed the dictates of leaders…and millions have been killed because of this obedience…Our problem is that people are obedient allover the world in the face of poverty and starvation and stupidity, and war, and cruelty. Our problem is that people are obedient while the jails are full of petty thieves… (and) the grand thieves are running the country. That’s our problem.
I'm working on a script right about Civil War re-enactors who go back in time to the actual Civil War. It's kind of a big, crazy Back to the Future comedy. So, of course, it's the Civil War - I play the banjo. I was just having a conversation with one of the producers about some of the material and he was like, 'You know, we have to work in a scene where you play the banjo. And I was like I'll get behind that.
Before the Civil War, Canada was at the top of the underground railroad. If you made it into Canada, you were safe unless someone came and hauled you back. That was also true during the Vietnam War for draft resisters.
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