A Quote by Kate Atkinson

I spent four years doing a doctorate in postmodern American literature. I can recognize it when I see it. — © Kate Atkinson
I spent four years doing a doctorate in postmodern American literature. I can recognize it when I see it.
I did stand-up comedy for 18 years. Ten of those years were spent learning, four years were spent refining, and four years were spent in wild success. I was seeking comic originality, and fame fell on me as a byproduct. The course was more plodding than heroic.
I understand that postmodern literature probably means people like DeLillo, The Fiction Collective, but I don't get it that those writers are really influenced by postmodern theorists.
I spent a couple of years doing American films. I did a few.
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
I've been in those relationships. You go through years of your life and at a certain point you wake up and you go, god, what am I doing here? What have I spent the last three years doing? Part of it is learning, this process you've gotta go through. You have to recognize the point at which you're not learning anymore, and be able to let it go.
Mostly I'm just not American. I spent four years of my childhood here, but I think if you're Canadian you have a very different perspective. You don't think you're at the center of things.
I am just postmodern enough not to trust 'postmodern' as a description of our times, for it privileges the practices and intellectual formations of modernity. Calling this a postmodern age reproduces the modernist assumption that history must be policed by periods.
English is, from my point of view as an Americanist, an ethnicity. And English literature should be studied in Comparative Literature. And American literature should be a discipline, certainly growing from England and France, Germany, Spain, Denmark, and the Native traditions, particularly because those helped form the American canon. Those are our backgrounds. And then we'd be doing it the way it ought to be done. And someday I hope that it will be.
A curious thing about written literature: It is about four thousand years old, but we have no way of knowing whether four thousand years constitutes senility or the maiden blush of youth.
Some people might be surprised that 'Rambo's creator has a doctorate in American literature. One of my influences is Henry James, whose major theme is awareness. Whether I'm writing about military personnel, law enforcement, or De Quincey, the persistent theme is paying attention in a hostile world.
I just think the American people had expected that the president of the United States would be able to describe what he's going to do in the next four years. But he can't. He can't even explain what he's done in the last four years.
I did my Doctorate on the House Un-American Activities Committee's effect on the American theater.
I was born in Evanston, Illinois. I spent my elementary and part of my junior high school years in a D.C. suburb. And then I spent my high school years in Minnesota. And then I spent my college years in Colorado. And then I spent some time living in China. And then I spent three years in Vermont before moving down to Nashville.
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
I understood what he was doing, that he had spent four years fulfilling the absurd and tedious duty of graduating from college and now he was emancipated from that world of abstraction, false security, parents, and material excess.
The African-American community has been let down by our politicians. They talk good around election time, and after the election, they say, see ya later, I'll see you in four years.
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