A Quote by Kate Atkinson
I find the past so fascinating. Photographs are strange, almost surreal, almost here yet gone. I slip into thinking what the past must have been like and I enjoy creating that ambience and atmosphere - 1730 to around 1870 is the most interesting period.
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Originally the structure was . . . a modern narrator who would appear intermittently and talk about his memories of his grandmother, which would then be juxtaposed against scenes from the past. But the stories from the past were always more interesting that the things in the present. I find this almost endemic to modern plays that veer between past and present. . . . So as we've gone on developing GOLDEN CHILD, the scenes from the past have become more dominant, and all that remains of the present are these two little bookends that frame the action.
Almost the first thing Obama did in the White House was to return the bust of Winston Churchill to the British embassy. That suggests a major re-ordering of things. It'll be fascinating to see what happens from now on. It was a genuine break with the recent past - perhaps to re-connect with the past past.
Seeing my face on a poster is surreal. You look at it and it's not quite like you, if you know what I mean... it's almost a third person kind of thing. I still find it strange.
For the most part, we've moved past the awkward-for-everyone period of food bloggers toting giant DSLR cameras and flash kits in restaurants, but that's been replaced by almost everyone armed with a phone stopping to immortalise their breakfast.
Robert Redford ... has turned almost alarmingly blond-he's gone past platinum, he must be into plutonium; his hair is coordinated with his teeth.
As we're standing there I realize we're almost exactly the same height. We must look like the dark and light side of an Oreo cookie, and I think how just as easily it could have been the other way around. She could be blocking my path; I could be trying to slip around her into the dark.
Wine writers have been around for almost as long as there has been wine, but in the past, generally speaking, most wine writing was uncritical and emphasized wine as a romantic, historic beverage. Criticism and comparative tastings were eschewed for fear of offending the trade, which most writers depended upon for survival.
We must drop the idea that change comes slowly. It does ordinarily - in part because we think it does. Today changes must come fast; and we must adjust our mental habits, so that we can accept comfortably the idea of stopping one thing and beginning another overnight. We must discard the idea that past routine, past ways of doing things, are probably the best ways. On the contrary, we must assume that there is probably a better way to do almost everything. We must stop assuming that a thing which has never been done before probably cannot be done at all.
I moved to New York when I was almost 21 and I've lived there for almost eight years, now I have a totally different relationship to L.A. There's like all this space and it's so beautiful seeing all these different landscapes and all my friends are here so now I really like it so much but my adjustment period was a little like "What a strange town".
The poet, as everyone knows, must strike his individual note sometime between the ages of fifteen and twenty-five. He may hold it a long time, or a short time, but it is then that he must strike it or never. School and college have been conducted with the almost express purpose of keeping him busy with something else till the danger of his ever creating anything is past.
I find it interesting when I look back at songs and it's what I've been thinking and feeling for the past two years. There's some sexual stuff in this record and I'm sometimes like, "Is that too far?" There's a confidence in it. It's over-sharing, but in a really therapeutic way.
We must abandon completely the notion of blaming the past for any kind of situation we're in and reverse our thinking and see that the past always flows back from the present. That now is the creative point of life. So you see it's like the idea of forgiving somebody, you change the meaning of the past by doing that...Also, watch the flow of music. The melody as its expressed is changed by notes that come later. Just as the meaning of a sentence...you wait till later to find out what the sentence means...The present is always changing the past.
You could believe that Sinbad could fight a skeleton because that's from a period in the past, a magical period. But if you had James Bond fighting a skeleton, it'd be almost comical.
It seems to me that the dedication of a library is an act of faith. To bring together the resources of the past and to house them in buildings where they will be preserved for the use of men and women in the future, a nation must believe in three things. It must believe in the past. it must believe in the future. It must, above all, believe in the capacity of its own people so to learn from the past that they can gain in judgment in creating their own future.
Though there was no sound, there was a change. The atmosphere, which had gone tense at my accusation, relaxed. I wondered how I knew this. I had a strange sensation that I was somehow receiving more than my five senses were giving me - almost a feeling that there was another sense, on the fringes, not quite harnessed. Intuition? That was almost the right word. As if any creature needed more than five senses.
I love the lower ranges of my new voice. I really enjoy that. It's a challenge, and I accept the challenge. I sort of enjoy it now to reach notes that maybe four years ago I couldn't reach. I don't mean to grumble about it. I'm past that critical period and have gone on to a whole new field. And we go everywhere. We travel around the world, and I learn songs from every place we go, and it's a joyful process.
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